Max Dvořák and the History of Medieval Art [PDF]
Journal of Art Historiography, 2010 The intellectual development of Max Dvořák (1874-1921), one of the protagonists of the ‘Vienna School of Art History’, was characterized by a constant process of methodological self-criticism.
Hans H. Aurenhammer
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Dvořák on the revolutionary temporalities of art [PDF]
Journal of Art Historiography, 2021 This text discusses the relations between temporality and art in some elucidative texts written by Max Dvořák (1874–1921) in the last years of his short life.
Ivan Gerát
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The Mannerist “revolution”, Dvořák and Soviet Art History [PDF]
Journal of Art Historiography, 2021 Max Dvořák is widely recognized as a key contributor to the tectonic change in the perception of Mannerism amongst art historians. Soviet scholars could not ignore this shift. In this paper, I trace the impact of Dvořák’s writings on Mannerism in Italian
Stefaniia Demchuk
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Max Dvořák, Wilhelm von Bode, and the Monuments of German Art [PDF]
Journal of Art Historiography, 2022 This paper was originally published on the ninetieth anniversary of Max Dvořák’s death, in ARS – Journal of the Institute of Art History of the Slovak Academy of Sciences (2011).
Jonathan Blower
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Conference report on: Max Dvořák and the “Denkmalpflege”, 13 October 2021, Monuments Board of the Slovak Republic [PDF]
Journal of Art Historiography, 2022 The year of 2021 was remembered as the centenary of the death of Max Dvořák, one of the leading figures of the Vienna School of Art History. The branch of Austrian monument protection represented a lesser-known field of his professional career.
Tomáš Kowalski
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Late Middle Ages and Renaissance: the forgotten contribution of Max Dvořák [PDF]
Journal of Art Historiography, 2023 Max Dvořák, one of the pilasters of the Viennese school of art history, is nowadays widely known for the works of his final years as well as for writings on monument conservation.
Sabrina Raphaela Buebl
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Max Dvořák: Catechism of Conservation for the twentieth and twenty-first centuries? [PDF]
Journal of Art Historiography, 2021 Max Dvořák’s Catechism of conservation [Katechismus der Denkmalpflege], first published during the 1914–18 war, is considered a milestone in the history of heritage conservation.
Martin Horáček
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0256 Moderner Inhalt in manieristischer Form. Max Dvořák unter dem Einfluss Georg Simmels
RIHA Journal, 2021 The article deals with the influence of Berlin philosopher Georg Simmel on Viennese art historian Max Dvořák. Dvořák as a successor of Alois Riegl and Franz Wickhoff at the art history department of the University of Vienna is considered the promoter of ...
Tomáš Murár
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Competing images: illustrated volumes by Max Dvořák and his contemporaries shaping national Art History [PDF]
Journal of Art Historiography, 2022 This article focuses on the visual material of illustrated volumes of art and architectural histories produced and published by Max Dvořák and his contemporaries.
Gaia Schlegel
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The ‘purification of the personality of Sanmicheli [PDF]
Journal of Art Historiography, 2023 The respected art historian Antonio Morassi, as a student under Max Dvořák in Vienna in 1912–16, wrote a thesis on the Renaissance architect Michele Sanmicheli (1487–1559), who was active in Verona and Venice.
David Hemsoll
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