Conference report on: Max Dvořák and the “Denkmalpflege”, 13 October 2021, Monuments Board of the Slovak Republic [PDF]
Journal of Art Historiography, 2022 The year of 2021 was remembered as the centenary of the death of Max Dvořák, one of the leading figures of the Vienna School of Art History. The branch of Austrian monument protection represented a lesser-known field of his professional career.
Tomáš Kowalski
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Late Middle Ages and Renaissance: the forgotten contribution of Max Dvořák [PDF]
Journal of Art Historiography, 2023 Max Dvořák, one of the pilasters of the Viennese school of art history, is nowadays widely known for the works of his final years as well as for writings on monument conservation.
Sabrina Raphaela Buebl
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Max Dvořák: Catechism of Conservation for the twentieth and twenty-first centuries? [PDF]
Journal of Art Historiography, 2021 Max Dvořák’s Catechism of conservation [Katechismus der Denkmalpflege], first published during the 1914–18 war, is considered a milestone in the history of heritage conservation.
Martin Horáček
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0256 Moderner Inhalt in manieristischer Form. Max Dvořák unter dem Einfluss Georg Simmels
RIHA Journal, 2021 The article deals with the influence of Berlin philosopher Georg Simmel on Viennese art historian Max Dvořák. Dvořák as a successor of Alois Riegl and Franz Wickhoff at the art history department of the University of Vienna is considered the promoter of ...
Tomáš Murár
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Competing images: illustrated volumes by Max Dvořák and his contemporaries shaping national Art History [PDF]
Journal of Art Historiography, 2022 This article focuses on the visual material of illustrated volumes of art and architectural histories produced and published by Max Dvořák and his contemporaries.
Gaia Schlegel
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The ‘purification of the personality of Sanmicheli [PDF]
Journal of Art Historiography, 2023 The respected art historian Antonio Morassi, as a student under Max Dvořák in Vienna in 1912–16, wrote a thesis on the Renaissance architect Michele Sanmicheli (1487–1559), who was active in Verona and Venice.
David Hemsoll
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Max Dvořák, Rudolf Carnap and the question of Weltanschauung vs. Weltauffassung
Journal of Art Historiography, 2021 This paper takes a comparative approach to the later work of Max Dvořák (Czechia 1874–1921) and the early writings of Rudolf Carnap (Germany 1891–USA 1970).
Barbara Czwik
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The reception of Max Dvořák’s thought in Italy: resistances and unlucky attempts between the 1920s and the 1940s [PDF]
Journal of Art Historiography, 2023 The essay proposes a synthesis of the reception by Italian scholars of Max Dvořák’s art history theories between the 1920s and the 1940s. The resistance to his thought for both linguistic and ideological reasons will be underlined mostly based on the ...
Francesca Bottura
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The reception of the Vienna School of art history in Poland in the years 1945-1955 [PDF]
Journal of Art Historiography, 2023 It is with a fair amount of certainty the one can state today the importance of the Vienna School of art history for the Polish art historians at the beginning of the XX century, in the interwar period or the 1960s and 1970s, yet very little is known ...
Violetta Korsakova
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The Metamorphosis of Mannerism in Russian Poetry at the Turn of the 19th–20th Centuries: Valery Bryusov and Nikolay Gumilev [PDF]
Studia Litterarum, 2023 This article is dedicated to the insufficiently studied topic concerning comparative analysis of European mannerism and neo-mannerist tendencies in Russian modernist poetry.
Svetlana D. Titarenko
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