Results 61 to 70 of about 96 (89)

Czech art history and Marxism [PDF]

Journal of Art Historiography, 2012
Czech art history in the 20th century has been strongly informed by the tradition of the Vienna School. After the Communist takeover of power in 1948, Marxism – or more precisely Marxism-Leninism – became a compulsory philosophical approach.
Milena Bartlová
doaj  

Przed dziełem sztuki. Wspomnienia ze studiów

Artium Quaestiones, 2019
The present essay includes the author’s memories of his university studies and the intellectual formation that he received as a student of art history at the University of Poznań in 1949-1954.
Piotr Skubiszewski
doaj   +1 more source

‘‘Domenico Theotocopuli El Greco. Notes from an exhibition of El Greco in Munich’’ trans. and ed. Matthew Rampley [PDF]

Journal of Art Historiography, 2013
Emil Filla (1882-1953) was one of the leading modernist painters working in Prague before the First World War. Anxious to avoid the limitations of the provincial art world of Prague, he avidly consumed the most advanced artistic practices of the major ...
Emil Filla
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Nacrt geneze pojma stila u starijoj teorijsko-umetničkoj misli ili, prilog oblikovanju povesnog prostora umetnosti / The Scheme of Genesis of the Concept of Style in Older Theoretical and Artistic Thought or Addition to the Forming of Historical Space of Art

AM: Art + Media, 2012
During the course of its historical-intellectual shaping, the style, gradually but obviously and positively shifting from one framework of onto-logical deliberation – within which it was being constituted on the margin of what Plato determined to be the ...
Radovan Popović
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A World of ‘Purely Artistic Conception’ and a ‘Universal Art of the Spirit’: Max Dvořák and Karel Teige between Phenomenology and Surrealism // A World of ‘Purely Artistic Conception’ and a ‘Universal Art of the Spirit’: Max Dvořák and Karel Teige between Phenomenology and Surrealism [PDF]

Slovo a Smysl, 2015
In the early 1940s, Karel Teige, a prominent theorist of the Czech avant-garde, returns to Max Dvořák’s concept of history of art as ‘history of the spirit’.
Josef Vojvodík
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Erica Tietze-Conrat, “On leg poses in art history” [PDF]

Journal of Art Historiography, 2020
Originally published as ‘J. J. Tikannen, “Die Beinstellungen in der Kunstgeschichte. Ein Beitrag zur Geschichte der künstlerischen Motive”, Tom. XLII Nr.
Karl Johns
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Otto Pächt and Albert Kutal: Methodological Parallels [PDF]

Journal of Art Historiography, 2015
In 1971 on the 50th anniversary of the death of Max Dvořák, outstanding Czech medievalist Albert Kutal expressed the opinion that Dvořák’s work was not only highly relevant for its conception of art history as the history of ideas but also for its early ...
Jan Bakos
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Metodologické zásady

Filosofický časopis
This study dating from the early 1970s is an attempt by the author, Vratislav Effenberger, to summarize the fundamental principles and categories of the theoretical system he had been developing since approximately the mid-1960s, and which he himself ...
Effenberger, Vratislav
doaj   +1 more source

Zwischen Methodologie und Ideologie: Slowenische Kunsthistoriker der Wiener Schule nach 1945

RIHA Journal, 2015
The institutionalisation of Slovenian art history began in 1913, when France Stele (1886-1972), a student of Max Dvořak (1874-1921), was appointed the conservator of the province of Carniola.
Murovec, Barbara
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High‐Entropy Carbonitride MAX Phases and Their Derivative MXenes

Advanced Energy Materials, 2022
Zhiguo Du, Chuntai Liu, Jia-Xiang Shang   +2 more
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