Results 31 to 40 of about 33,458 (166)
Love and virtue in the Lobkowitz house theatre : Ferdinando Paër's L'amor conjugale
Musicologica Brunensia, 2023 Kathryn L. Libin
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Musicologica Brunensia, 2014 More than anyone else, we have Empress Eleonora II of the ducal family Gonzaga of Mantua to thank for establishing oratorios in Vienna. After her husband, Emperor Ferdinand III, died in 1657, she founded her own orchestra, around which she spent nearly ...
Marko Deisinger
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Liebe und Tugend : Musik als eine moralische Institution
Musicologica Brunensia, 2023 Otto Biba
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Unbekannte Brünner Oratorien Neapolitanischer Komponisten vor 1740
Musicologica Brunensia, 2014 An unprecedented upsurge of the Italian oratorio was experienced in Brno, South Moravia, in 1720s and 1730s, testified by 49 extant oratorio libretti of local origin.
Jana Spáčilová
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Von zaghaftem Nachhall : zur Rezeptionsgeschichte der Oratorien von Johann Joseph Fux
Musicologica Brunensia, 2014 There is no doubt that Johann Joseph Fux created his oratorios (with the exception perhaps of a "Oratorium germanicum" attributed to Fux which survived in the Kremsmünster monastery) for performances during season of lent at the Viennese imperial court ...
Thomas Hochradner
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Musicologica Brunensia, 2014 After the death of Charles VI. music at the Hapsburg court in Vienna was gradual reduced by Maria Theresa. Also – similar to opera and theater – performances of oratorios were limited and no longer exclusively at the court and court society.
Elisabeth Fritz-Hilscher
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Musicologica Brunensia, 2015 The presented case study, which from the microhistorical point of view is defined geographically rather than purely anthropologically, is built on the blending as well as the contradiction of the social requirement for a clear, though indefinable ...
Viktor Pantůček
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Schuldramen und Oratorien bei den Preßburger Jesuiten im 18. Jahrhundert
Musicologica Brunensia, 2014 The oratorio was certainly not one of the favorite musical genres of the Jesuits in the 17th-18 century. The Pressburg Jesuits, however, have also performed oratorios in the 18th century, except their typical school dramas.
Ladislav Kačic
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"Che farò senza Euridice": Geschichte und Geschichten um eine berühmt gewordenen Arie Chr. W. Glucks
Musicologica Brunensia, 2015 Directly after the premiere of Glucks Orfeo ed Euridice in Vienna 1762, voices critical of the aria "Che farò senza Euridice" became audible. The aria would be too cheerful and would not be adequate to the dramatic situation of the second and final death
Hermann Jung
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