Results 161 to 170 of about 1,136,455 (204)
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2012
The case for the prosecution is easily made. You can blame it on Stravinsky, who claimed that music should be executed and not interpreted, or on Schoenberg, who wrote that the performer was “totally unnecessary except as his interpretations make the music understandable to an audience unfortunate enough not to be able to read it in print” (Newlin 1980,
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The case for the prosecution is easily made. You can blame it on Stravinsky, who claimed that music should be executed and not interpreted, or on Schoenberg, who wrote that the performer was “totally unnecessary except as his interpretations make the music understandable to an audience unfortunate enough not to be able to read it in print” (Newlin 1980,
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2014
Abstract Grounded in the research and promising practices literature, Chapter 4 discusses concepts and skills, pedagogies, and technology related to musical performance. Technologies may be of assistance in developing psychomotor knowledge and skills, and in accomplishing effective musical practice.
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Abstract Grounded in the research and promising practices literature, Chapter 4 discusses concepts and skills, pedagogies, and technology related to musical performance. Technologies may be of assistance in developing psychomotor knowledge and skills, and in accomplishing effective musical practice.
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Musical Form and Musical Performance
Perspectives of New Music, 1971Wallace Berry, Edward T. Cone
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Characteristics of music performance anxiety among undergraduate music students: A systematic review
Psychology of Music, 2022Samuel Barros, Anabela Sousa Pereira
exaly
1995
Abstract Shared Concerns: Performing Music is about aspects of music-making that have not previously been considered together and in an accessible form. It deals with `performance studies' as a coherent subject, exploring such issues as the ideas of anxiety and artistry, recent thought in the musical literature, tensions between ...
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Abstract Shared Concerns: Performing Music is about aspects of music-making that have not previously been considered together and in an accessible form. It deals with `performance studies' as a coherent subject, exploring such issues as the ideas of anxiety and artistry, recent thought in the musical literature, tensions between ...
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Musical Performance and Music Education
Design For Arts in Education, 1990David J. Elliott, Doreen Rao
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A survey of computer systems for expressive music performance
ACM Computing Surveys, 2009Alexis Kirke, Eduardo R Miranda
exaly
The role of coping strategy and experience in predicting music performance anxiety
Musicae Scientiae, 2014Michele Biasutti, Eleonora Concina
exaly