Results 151 to 157 of about 266 (157)
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Musical Schemata in Real-Time Listening to a Piece of Music
Music Perception, 1996A series of experiments investigated cognitive processes involved in listening to a piece of music, focusing in particular on the abstraction of surface features (here referred to as cues). Subjects listened to an unfamiliar piece in a familiar musical idiom, and their sensitivities to aspects of the just-heard piece were used to elucidate the nature ...
Iréne Deliège +3 more
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Tonal Schemata in the Perception of Music in Bali and in the West
Music Perception, 1984Krumhansl and Shepard's probe-tone method, in which listeners rate the musical relatedness of probe tones to preceding musical contexts, was adapted for a cross-cultural comparison of the perception of Western and Balinese melodies by both Western and Balinese listeners.
Edward J. Kessler +2 more
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Beyond Schemata in Collective Improvisation: A Support Tool for Music Interactions
Leonardo Music Journal, 2018Abstract This article presents results of experiments undertaken with expert musicians using the author’s original system for systemic improvisation. By promoting the formation of parallel and simultaneous layers of sustained musical relationships, this system facilitates an enhanced focus on local clusters and their development over ...
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Development of Musical Schemata in Children's Spontaneous Singing
1984Publisher Summary This chapter describes the general pattern of development of children's singing, and then presents an analysis of the spontaneous songs of two children illustrating schematic control over the melodic and rhythmic contours of the phrases used in the songs.
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On Musical Cognition and Archaic Meaning Schemata
The Scandinavian Psychoanalytic Review, 1985openaire +1 more source