Results 41 to 50 of about 48,614 (273)
musif: a Python package for symbolic music feature extraction [PDF]
In this work, we introduce musif, a Python package that facilitates the automatic extraction of features from symbolic music scores. The package includes the implementation of a large number of features, which have been developed by a team of experts in musicology, music theory, statistics, and computer science. Additionally, the package allows for the
arxiv
Famed for its austerity, Jansenism nonetheless prompted a slew of salacious street‐songs throughout the seventeenth and eighteenth centuries. If historians have increasingly examined early modern urban singing practices, underlining the social porosity and intergenerational hold of many street‐songs, little research has been devoted to unpicking what ...
Tiéphaine Thomason
wiley +1 more source
The Batik-plays-Mozart Corpus: Linking Performance to Score to Musicological Annotations [PDF]
We present the Batik-plays-Mozart Corpus, a piano performance dataset combining professional Mozart piano sonata performances with expert-labelled scores at a note-precise level. The performances originate from a recording by Viennese pianist Roland Batik on a computer-monitored B\"osendorfer grand piano, and are available both as MIDI files and audio ...
arxiv
On large-scale genre classification in symbolically encoded music by automatic identification of repeating patterns [PDF]
The importance of repetitions in music is well-known. In this paper, we study music repetitions in the context of effective and efficient automatic genre classification in large-scale music-databases. We aim at enhancing the access and organization of pieces of music in Digital Libraries by allowing automatic categorization of entire collections by ...
arxiv +1 more source
Current Musicology's Project on Musicological Method
Current Musicology, No 7 (1968): Current ...
openaire +2 more sources
Multi‐Modal Instrument Performances (MMIP): A Musical Database
Abstract Musical instrument performances are multimodal creative art forms that integrate audiovisual elements, resulting from musicians' interactions with instruments through body movements, finger actions, and facial expressions. Digitizing such performances for archiving, streaming, analysis, or synthesis requires capturing every element that shapes
T. Kyriakou+2 more
wiley +1 more source
Forum in Musicology, May 10, 1995 [PDF]
This is the concert program of the Forum in Musicology performance on Wednesday, May 10, 1995 at 7:00 p.m., at the Marshall Room, 855 Commonwealth Avenue, Boston, Massachusetts.
School of Music, Boston University
core
A Case for Reproducibility in MIR: Replication of ‘A Highly Robust Audio Fingerprinting System’
Claims made in many Music Information Retrieval (MIR) publications are hard to verify due to the fact that (i) often only a textual description is made available and code remains unpublished – leaving many implementation issues uncovered; (ii) copyrights
Joren Six, Federica Bressan, Marc Leman
doaj +1 more source
In this paper we will consider how, from the beginning to the end of the 1980s, the Serbian Orthodox Church gradually abandoned its restricted mode of public action and moved from an enclave form, with occasional elements of counterpublics, to a dominant
IVANA VESIĆ, VESNA PENO
doaj +1 more source
Colloquy: Musicology and the Middlebrow [PDF]
[No Abstract]
Guthrie, Kate+6 more
openaire +4 more sources