Results 41 to 50 of about 59,589 (284)
Previous empirical studies have suggested that the perceived consonance/dissonance (C/D) of a musical chord depends on its psychoacoustic smoothness (lack of roughness), spectral harmonicity (perceptual fusion), and/or musical familiarity. We tested the
Richard Parncutt+2 more
doaj +2 more sources
A New Approach: The Feminist Musicology Studies of Susan McClary and Marcia J. Citron
One of the currently prevalent analytic approaches in academia is feminist theory and criticism. Its combination with musicology has influenced the field for the past four decades.
Kimberly Reitsma
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The authors analyze the possibilities of examining the logical regularities in music by means of mathematical methods which have been formed for the most part in the 20th century.
I. Gorbunova, Mikhail S. Zalivadny
semanticscholar +1 more source
Biography and the New Musicology [PDF]
Traditional musicology has long resisted biographical interpretations in favor of formalistic approaches. While the so-called “New Musicology” has more recently redressed this imbalance by encouraging the contextualization of music, including critical ...
Wiley, C.
core
Protecting threatened species and music traditions
Musical instruments are indispensable to music traditions worldwide and often made from natural materials derived from species that are increasingly endangered. International trade threatens the survival of some of these species, as addressed by their inclusion in the UN Convention on International Trade in Endangered Species of Wild Fauna and Flora ...
Silke Lichtenberg+15 more
wiley +1 more source
Empirical Musicology is a collection of articles exploring the potential for a greater integration of empirical methods into musicology and music theory.
Johanna Devaney
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In this paper we will consider how, from the beginning to the end of the 1980s, the Serbian Orthodox Church gradually abandoned its restricted mode of public action and moved from an enclave form, with occasional elements of counterpublics, to a dominant
IVANA VESIĆ, VESNA PENO
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Current Musicology's Project on Musicological Method
Current Musicology, No 7 (1968): Current ...
openaire +2 more sources
This work investigates computational musicology for the study of tape music works tackling the problems concerning stemmatics. These philological problems have been analyzed with an innovative approach considering the peculiarities of audio tape ...
Sebastiano Verde+3 more
semanticscholar +1 more source
‘I See Her Instrument Is Open’: (Dis)playing the Musical Body in the Work of Jane Austen
Abstract This article contextualizes Jane Austen's depictions of musicians and instruments within contemporary philosophical perceptions of music as a means of ‘unvirtuous’ corporeal stimulation in order to examine Austen's attitude towards female sexuality.
Maggie Stanton
wiley +1 more source