Results 41 to 50 of about 51,077 (222)
Is Musicology (Only) One of the Humanities?
Today, a general definition of musicology is both precise and imprecise: it is a study of music. This recent scientific discipline was established by Guido Adler in his 1885 paper The Scope, Method, and Aim of Musicology, although there had been many ...
Ana Popović
doaj
Orientalism and New musicology
The aim of this paper is to outline the history of the concept of Orientalism in the field of New musicology and to point out that musicological discussions of Orientalism significantly changed disciplinary profile of musicology in the direction of ...
Sanela Nikolić
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Weaving Political Identities: Jean‐Luc Nancy, Empedocles, and (the Later) Plato
Constellations, EarlyView.
Benjamin Hutchens
wiley +1 more source
Primary Habitus Formation in Families From the Upper Social Milieus
ABSTRACT While habitus as a theoretical concept and empirical instrument is well‐known, used, and developed in various branches of sociology, education, and other social sciences, the question of its concrete formation and genesis is less pronounced in research. This may be due to the fact that Bourdieu himself, as the ‘creator' of the habitus, did not
Gregor Schäfer
wiley +1 more source
Commentary on Huovinen's "Varieties of Musical Empiricism"
Erkki Huovinen’s “Varieties of Musicological Empiricism” provides a valuable analysis of some of the theoretical predicaments raised by pursuing an empirical musicology.
Eric F. Clarke
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John Daverio Memorial Concert, October 23, 2003 [PDF]
This is the concert program of the John Daverio Memorial Concert performance on Thursday, October 23, 2003 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts.
School of Music, Boston University
core
Addressing the Fairness Issue of Large Music Models: A Blockchain Approach
ABSTRACT With the rapid development of AI, the integration of intelligent techniques into music has been booming rapidly in recent years. However, there is a rising concern about the fairness of large music models in generating culturally diverse musical compositions, emphasizing the need for inclusivity and equity in AI‐generated music.
Qinyuan Wang +3 more
wiley +1 more source
Boston University Wind Ensemble, April 26, 2001 [PDF]
This is the concert program of the Boston University Wind Ensemble performance on Thursday, April 26, 2001 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts.
School of Music, Boston University
core
Musicologists have been gripped by the desire to democratize, diversify, decolonize, and popularize their discipline. Driven by a growing moral demand to challenge the Eurocentric, heteronormative, exclusionary, colonial, settler colonial, non-diverse, and white supremacist legacies of a discipline plagued by its rootedness in European classical ...
openaire +3 more sources

