Results 51 to 60 of about 59,589 (284)
Big Music Data, Musicology, and the Study of Recorded Music: Three Case Studies
This paper considers some of the interactions between Music Information Retrieval (MIR) and musicology, particularly in relation to Big Music Data and the analysis of recorded music.
S. Cottrell
semanticscholar +1 more source
Four principles of bio-musicology
As a species-typical trait of Homo sapiens, musicality represents a cognitively complex and biologically grounded capacity worthy of intensive empirical investigation. Four principles are suggested here as prerequisites for a successful future discipline
T. Fitch
semanticscholar +1 more source
Finding What You Need, and Knowing What You Can Find: Digital Tools for Palaeographers in Musicology and Beyond [PDF]
This chapter examines three projects that provide musicologists with a range of resources for managing and exploring their materials: DIAMM (Digital Image Archive of Medieval Music), CMME (Computerized Mensural Music Editing) and the software Gamera ...
Craig-McFeely, Julia
core +1 more source
A Sweeter Music: Two Essays and a Colloquy on an Elgar Part‐Song
ABSTRACT Edward Elgar's 1907 part‐song ‘There Is Sweet Music’ (Op. 53 No. 1) is at once a ‘minor’ piece and a highly significant one that richly rewards investigation. It is notable as an early instance of bitonality, being notated simultaneously in two keys – the male choir in G major and the female choir in A♭. Yet despite the apparent discordance of
Patrick McCreless, Benedict Taylor
wiley +1 more source
A Case for Reproducibility in MIR: Replication of ‘A Highly Robust Audio Fingerprinting System’
Claims made in many Music Information Retrieval (MIR) publications are hard to verify due to the fact that (i) often only a textual description is made available and code remains unpublished – leaving many implementation issues uncovered; (ii) copyrights
Joren Six, Federica Bressan, Marc Leman
doaj +1 more source
Forum in Musicology, May 10, 1995 [PDF]
This is the concert program of the Forum in Musicology performance on Wednesday, May 10, 1995 at 7:00 p.m., at the Marshall Room, 855 Commonwealth Avenue, Boston, Massachusetts.
School of Music, Boston University
core
Abstract In arts and music, exemplars are categorized into genres, but those are not static and change dynamically. In musical taste research, there are strong differences in number and width of genre categories, and it is unclear how category width (broad genres vs. narrow subgenres) affects liking evaluations.
Elke B. Lange+2 more
wiley +1 more source
The role of musical pitch in long‐distance defensive signaling
The function of pitch matching between hominins as a means of long‐distance deterrence of conspecifics is proposed. The evolution of different abilities related to pitch production and recognition is discussed. In particular, the emergence and role of culturally variable musical pitch elements as hallmarks of group identity are examined, in the context
Piotr Podlipniak
wiley +1 more source
John Daverio Memorial Concert, October 23, 2003 [PDF]
This is the concert program of the John Daverio Memorial Concert performance on Thursday, October 23, 2003 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts.
School of Music, Boston University
core
Short Abstract 1940 saw the mass internment of so‐called ‘enemy aliens’ within Britain; this meant that innocent civilians were incarcerated in camps across the country, particularly within the tourist spaces of the Isle of Man. We interrogate how the holiday—as a geography of ideas, spaces, practices movements and sensibilities—became a frame of ...
Michael Holden, Peter Adey
wiley +1 more source