Results 51 to 60 of about 51,426 (222)
Current Musicology, 2018 Musicologists have been gripped by the desire to democratize, diversify, decolonize, and popularize their discipline. Driven by a growing moral demand to challenge the Eurocentric, heteronormative, exclusionary, colonial, settler colonial, non-diverse, and white supremacist legacies of a discipline plagued by its rootedness in European classical ...
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Percussion Ensemble, April 10, 2001 [PDF]
, 2001 This is the concert program of the Percussion Ensemble performance on Tuesday, April 10, 2001 at 8:00 p.m., at Boston University Concert Hall, 855 Commonwealth Avenue, Boston, Massachusetts.
School of Music, Boston University
core
Hudební věda v Brně po roce 1989
Musicologica Brunensia, 2015 The paper examines the situation and scholarly activities of Brno musicology in the last 25 years, follows musicological institutions at universities, especially the Institute od Musicology, Faculty of Arts, Masaryk University, but also the Faculty of ...
Petr Macek
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The dominant currents in the research of music in Serbia: An overview of the Institute of Musicology SAS’s early history (1947-1965) [PDF]
Muzikologija, 2018 This paper is dedicated to the investigation of the initial period of the Institute of Musicology SAS, the first scientific institution of this kind in Serbia (and Yugoslavia), in order to give an insight into the development of national ...
Vesić Ivana, Lajić-Mihajlović Danka
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Faculty Concert: The Muir String Quartet, October 29, 2001 [PDF]
, 2001 This is the concert program of the Faculty Concert: The Muir String Quartet performance on Monday, October 29, 2001 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue. Works performed were String Quartet in G Major, Op.76 No.
School of Music, Boston University
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The Off‐Tonic Recapitulation in Context: a Study in Fuzziness
Music Analysis, Volume 44, Issue 3, Page 372-392, October 2025.ABSTRACT The double return of the principal theme and home key has long held pride of place in theories of sonata form. For James Webster (2001) it is the paramount feature of sonata form; similarly, for James Hepokoski and Warren Darcy (2006) it is the feature that lies at the heart of their sonata‐theory typology, distinguishing between their types 1,
YOEL GREENBERG
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Current Musicology's Project on Musicological Method
Current Musicology, 2019 Current Musicology, No 7 (1968): Current ...
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Boston University Wind Ensemble, April 26, 2001 [PDF]
, 2001 This is the concert program of the Boston University Wind Ensemble performance on Thursday, April 26, 2001 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts.
School of Music, Boston University
core
Cognitive Theories of Galant Music at the Margins of Experience
Music Analysis, Volume 44, Issue 3, Page 293-339, October 2025.ABSTRACT Leading cognitive studies of galant music treat schematism as both a device and an ethos. The devices – whether called pre‐fabs, tiles or schemata – undergird a mechanistic and passive ethos of inventiveness. In vision and practice, this constellation of approaches directs inquiry away from a musical depth that one contemplates and towards a ...
Edmund J. Goehring
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‘I See Her Instrument Is Open’: (Dis)playing the Musical Body in the Work of Jane Austen
Journal for Eighteenth-Century Studies, Volume 48, Issue 3, Page 303-326, September 2025.Abstract This article contextualizes Jane Austen's depictions of musicians and instruments within contemporary philosophical perceptions of music as a means of ‘unvirtuous’ corporeal stimulation in order to examine Austen's attitude towards female sexuality.
Maggie Stanton
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