Results 61 to 70 of about 51,746 (218)

Addressing the Fairness Issue of Large Music Models: A Blockchain Approach

open access: yesConcurrency and Computation: Practice and Experience, Volume 37, Issue 23-24, 25 October 2025.
ABSTRACT With the rapid development of AI, the integration of intelligent techniques into music has been booming rapidly in recent years. However, there is a rising concern about the fairness of large music models in generating culturally diverse musical compositions, emphasizing the need for inclusivity and equity in AI‐generated music.
Qinyuan Wang   +3 more
wiley   +1 more source

Boston University Wind Ensemble, April 26, 2001 [PDF]

open access: yes, 2001
This is the concert program of the Boston University Wind Ensemble performance on Thursday, April 26, 2001 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts.
School of Music, Boston University
core  

Faculty Concert: The Muir String Quartet, October 29, 2001 [PDF]

open access: yes, 2001
This is the concert program of the Faculty Concert: The Muir String Quartet performance on Monday, October 29, 2001 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue. Works performed were String Quartet in G Major, Op.76 No.
School of Music, Boston University
core  

The Off‐Tonic Recapitulation in Context: a Study in Fuzziness

open access: yesMusic Analysis, Volume 44, Issue 3, Page 372-392, October 2025.
ABSTRACT The double return of the principal theme and home key has long held pride of place in theories of sonata form. For James Webster (2001) it is the paramount feature of sonata form; similarly, for James Hepokoski and Warren Darcy (2006) it is the feature that lies at the heart of their sonata‐theory typology, distinguishing between their types 1,
YOEL GREENBERG
wiley   +1 more source

Boston University Messiaen Project, October 12 and 13, 2007 [PDF]

open access: yes, 2007
This is the concert program of the Boston University Messiaen Project international conference on Friday, October 12, and Saturday, October 13, 2007, at the College of Fine Arts, 855 Commonwealth Avenue.
School of Music, Boston University
core  

Musical gestures and embodied cognition [PDF]

open access: yes, 2012
In this keynote, musical gestures will be discussed in relation to the basic concepts of the embodied music cognition paradigm. Video examples are given of stud- ies and applications that are based on these concepts.
Leman, Marc
core   +1 more source

The status of Catholic liturgical music during the Second Vatican Council [PDF]

open access: yesMuzikologija
The study deals with historical, social, cultural, and anthropological aspects of Roman Catholic liturgical music during the Second Vatican Council.
Peno Vesna Sara, Stevanović Sanja
doaj   +1 more source

Faculty Concert: The Muir String Quartet, April 10, 2001 [PDF]

open access: yes, 2001
This is the concert program of the Muir String Quartet performance on Tuesday, April 10, 2001 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts. Works performed were Quartet in E-flat Major, K.
School of Music, Boston University
core  

Journal Muzikologija - Musicology as an agent in shaping musicological and ethnomusicological research (2001-2025) [PDF]

open access: yesMuzikologija
This study has been written on the occasion of the twenty-fifth anniversary of the journal Muzikologija - Musicology. It employs a hybrid methodology, ranging from autoethnographic reflection to quantitative data analysis.
Milanović Biljana, Milin Melita
doaj   +1 more source

Brahms Festival: Perspectives on Performance, April 5 - 7, 2001 [PDF]

open access: yes, 2001
This is the concert program of the Brahms Festival performance on Thursday - Saturday, April 5 - 7, 2001 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts and the Marshall Room, 855 Commonwealth Avenue, Boston ...
School of Music, Boston University
core  

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