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SHORT FICTION BY LUIS SEPULVEDA: NEO-BAROQUE TENDENCIES
Purpose. The work deals with short prose by Luis Sepulveda as an example of neo-baroque literature. The main purpose of the work is topic establishment of neo-baroque strategies in the short stories by L. Sepulveda.
Larisa Georgievna Khoreva
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In this article we intend to demonstrate in how far the discussion about Latin American baroque and neo-baroque “catalysed” the approximations and cultural dialogues between Brazil and Hispanic America in the 20th century.
Jasmin Wrobel
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En deçà et au-delà du cinéma moderne. Visconti, mélancolie et néo-baroque [PDF]
Le désir de fiction et la fascination pour le spectacle furent considérés, durant la période moderne, comme régressifs ou simplement académiques.
Lopes, Denilson
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Exemplo barroco: o paradigma poético de João Vário
João Vário, considered to be the “inventor” and the “master” of the currently prevailing poetic paradigm in Cape Verde, defined himself in different occasions as a “baroque” poet.
Rui Guilherme Gabriel
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Image and affect: between Neo-Baroque sadism and masochism [PDF]
Moore, Nathan
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Television and the Neo-Baroque [PDF]
Deposited with permission of Edinburgh University ...
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Una teoría del cielo para el neobarroco: interpelaciones entre la ficción autobiográfica y el biografema. [PDF]
Este ensayo problematiza, en primer lugar, las interpelaciones entre la ficción autobiográfica de Severo Sarduy y el "biografema"de Roland Barthes, como una modulación en la pregunta acerca de formas de la simulación y de cómo escribir la propia ...
Pochettino, Anahi Rocio
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The Great Chain of Vibrancy: Scalar Remanences in Contemporary Climate Change Fiction
This article provides a reading of Cynan Jones’s The Long Dry (2006) in the light of one of the topoi most closely associated with the Renaissance’s, i.e., Tillyard’s great chain of being.
Jean-Michel Ganteau
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In this article, we study the Baroque poetics of an Andean regional historian, Ventura Travada (1695-1758), a Parish priest in Indian villages in Arequipa, Viceroyalty of Peru. He was the author of El suelo de Arequipa convertido en cielo (ca.
César Félix Sánchez Martínez
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“Baroque Jazz: Toward a New Understanding of Musical Form in Carpentier's Concierto Barroco.”
Since its publication in 1974, there has been a concerted effort to force Alejo Carpentier's Concierto barroco to conform to the musical genre from which it derives its name. In spite of Carpentier’s advanced knowledge of musical form, these efforts have
Kyle Matthews
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