Results 71 to 80 of about 8,414 (239)

Means and Methods of Parody

Pitannâ Lìteraturoznavstva, 2013
A parody as a genre is characterized by only its inherent laws of construction and creation, the purpose of this article is to investigate the most popular parody implements and techniques that are used by Ukrainian authors very often.
Natalia Vinnikova
doaj  

PARODY RELIGIONS IN THE SPACE OF CULTURAL AND RELIGIOUS LIFE OF RUSSIA: RESULTS OF EXPERT INTERVIEW

Russian Studies in Culture and Society
Background. The article is devoted to the study of the so-called parody religions. Parody religions are religious movements that have gained popularity under the influence of mass culture at the beginning of the 21st century, the purpose of which is to ...
Natalya S. Zimova, Egor V. Fomin
doaj   +1 more source

Becoming Dostoevsky (how Rowan Williams opens up Bakhtin)

Modern Theology, EarlyView.
Abstract With the end of Communism in Russia, non‐materialist contexts were enthusiastically restored to Mikhail Bakhtin's globally famous ideas of carnival, dialogism, and polyphony. This essay surveys Rowan Williams's 2008 study Dostoevsky: Language, Faith + Fiction as a major contribution to this effort, concentrating on those general philosophical ...
Caryl Emerson
wiley   +1 more source

Anselm's Temporal‐Ontological Proof

Noûs, EarlyView.
ABSTRACT In his Reply to Gaunilo, Anselm presented two additional arguments for the existence of God beyond those that appear in the Proslogion. In “The Logical Structure of Anselm's Argument,” Robert M. Adams isolates each. One, he develops into a modal ontological argument along the lines of other 20th century ontological arguments (e.g., those of ...
Daniel Rubio
wiley   +1 more source

Lawnmower Poetry and the Poetry of Lawnmowers

Critical Quarterly, EarlyView.
Francesca Gardner
wiley   +1 more source

Fury and the antitheatrical prejudice: The violent power of play‐acting in the Cervantine picaresque

Orbis Litterarum, EarlyView.
Abstract The article studies a cross‐generic relation between theatrical performance and the outbreak of violence in picaresque contexts across works by Miguel de Cervantes. It then proceeds to contextualize these persistent incidents within the philosophical history of antitheatricality.
Rasmus Vangshardt
wiley   +1 more source

Dissident Laughter: Historiographic metafiction as parodic intervention in Benang and That Deadman Dance [PDF]

, 2015
Amanda Johnson
openalex   +1 more source

Text as tape: On the voice in the late prose of Friederike Mayröcker

Orbis Litterarum, EarlyView.
Abstract For a text to have a voice means to be caught in a paradox: the text obviously does not speak, so what is that tone rising from the pages? Taking hold of a striking ambivalence, this essay examines the relationship between text and voice in the late prose of Austrian poet Friederike Mayröcker.
Astrid Elander
wiley   +1 more source

Print Conventions and Authority in Three English Recipe Manuscripts

Renaissance Studies, EarlyView.
Abstract This article considers the uses of stylistic and visual conventions drawn from print books in three seventeenth‐ and eighteenth‐century recipe manuscripts at the University of Pennsylvania. We begin by analysing the title page, dedicatory epistle, catchwords, and headers of MS Codex 627, which imitates an edition of Hugh Plat's Delights for ...
Aylin Malcolm, Margaret C. Maurer
wiley   +1 more source

The Tree of Chivalry and the Black Lady: Juana of Castile's 1496 Joyous Entry into Brussels☆

Renaissance Studies, EarlyView.
Abstract Kupferstichkabinett MS 78D5 (Staatliche Museen Berlin) presents an iconographic account of the Joyous Entry of Juana of Castile into Brussels on 9 December 1496. In this article, we newly identify a rare visual record of a civic contribution to a tournament within the manuscript.
Nadia T. van Pelt, Olivia Robinson, Meg Twycross   +2 more
wiley   +1 more source