Results 101 to 110 of about 76,603 (261)
Middlebrow Aesthetics: An Explanation and Defense
Pacific Philosophical Quarterly, EarlyView.ABSTRACT We offer a philosophical account of the middlebrow as a theoretical category to do explanatory and critical work in aesthetics. On our account, the middlebrow ought to be understood as aspirational popular art. That is, it is art which aspires both to be popular (in a distinctive sense), and at the same time to be something more than popular ...
Aaron Meskin, Jonathan M. Weinberg
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The Sonnet in the Creative Practices of M. Lermontov
Филологический класс, 2013 The article analyzes Lermontov’s early poems, tending to a sonnet form, reveals specificity of novice writer’s poetic thought that determines features of traditional lyric genres’ functioning in his creative work.
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Literary Genres in Social Life: A Narrative, Audio-visual and Poetic Approach
Forum: Qualitative Social Research, 2008 The proposal, "Literary Genres in Social Life: a Narrative, Audio-visual and Poetic Approach", attempts, by objective, to present/display to the academic psychology community and compatible social science disciplines the main contributions of literary ...
Luis Felipe González Gutiérrez
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Poetic Witness in a Networked Age
, 2016 When online videos mobilize protestors to occupy public spaces, and those protestors incorporate hashtags in their chants and markered placards, deliberative democratic theory must no longer dismiss technology and peoples historically excluded from the ...
Clarke, Jerome D.
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From Everyman to Hamlet: A Distant Reading
Renaissance Studies, EarlyView.Abstract The sixteenth century sees English drama move from Everyman to Hamlet: from religious to secular subject matter and from personified abstractions to characters bearing proper names. Most modern scholarship has explained this transformation in terms originating in the work of Jacob Burckhardt: concern with religion and a taste for ...
Vladimir Brljak
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Renaissance Studies, EarlyView.Abstract This essay demonstrates how a gender‐informed, more‐than‐human lens can provide new ways to analyse how the role of a queen in forestry management was conceptualised by sixteenth‐century professional men. It explores these ideas as they are presented in a work published by Guillaume Martin, Lieutenant General of the forests and waterways of ...
Susan Broomhall
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Kirigaiai:Kirigaiai: los géneros poéticos de la cultura Minika
Antípoda: Revista de Antropología y Arqueología, 2012 In this essay I present a theory about the poetic genres of the Minika, an indigenous culture located on the river Kotue (Igaraparaná) in Colombia. I examine in particular the concept of kirigai (basket), followed by a review of the specialist literature.
Selnich Vivas Hurtado
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WRITING AND LITERARY ACTIVITY IN THE VERNACULAR IN ANGLO-SAXON ENGLAND [PDF]
, 2013 У статті розглянуто процес виникнення і функціонування різних форм текстової фіксації на англійських територіальних діалектах давнього періоду розвитку англійської мови як наслідок розвитку суспільних функцій мови та розширення сфер функціонування її ...
Євченко, В. В.
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‘I'm Dead!’: Action, Homicide and Denied Catharsis in Early Modern Spanish Drama
Renaissance Studies, EarlyView.Abstract In early modern Spanish drama, the expression ‘¡Muerto soy!’ (‘I'm dead!’) is commonly used to indicate a literal death or to figuratively express a character's extreme fear or passion. Recent studies, even one collection published under the title of ‘¡Muerto soy!’, have paid scant attention to the phrase in context, a serious omission when ...
Ted Bergman
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