Results 121 to 130 of about 784 (240)

When Is a Wrong Answer Right?: Mediating Indigenous Language Revitalization at Taiwan Indigenous Television

American Anthropologist, Volume 128, Issue 2, Page 259-271, June 2026.
ABSTRACT This article follows producers of Kai Language Heroes, the first Indigenous language game show in the world, as they adapted the genre for language revitalization. Kai Language Heroes is one of many original programs at Taiwan Indigenous Television (TITV), a public broadcaster that serves Taiwan's diverse Austronesian‐speaking peoples. I argue
Eliana Ritts
wiley   +1 more source

Amplitude modulation structure in French and German poetry: universal acoustic physical structures underpin different poetic rhythm structures. [PDF]

R Soc Open Sci
Daikoku T, Lee C, Goswami U.
europepmc   +1 more source

Minor epic: Notes toward a different “Anthropoetry”

Anthropology and Humanism, Volume 51, Issue 1, June 2026.
Abstract Anthropologists have often turned to poetry as a means of accessing emotional registers of which conventional academic prose is unable to avail. In doing so, they have tacitly conflated poetry with lyric poetry, today probably the most widely practiced poetic genre, associated in particular with the expression of inner feelings and subjectival
Stuart McLean
wiley   +1 more source

How Familiarity, Musical Affinity, and ADHD Shape Adolescents' Perception of Musical Emotions. [PDF]

Behav Sci (Basel)
Robaczewski A, Harkins E, Pelland-Goulet P, Gosselin N.   +3 more
europepmc   +1 more source

Editorial: Language, corpora, and technology in applied linguistics. [PDF]

Front Psychol, 2023
Naqvi SB, Afzaal M, Qiang G.
europepmc   +1 more source

Doctoring Dobbs: Erasure art as anthropological practice

Anthropology and Humanism, Volume 51, Issue 1, June 2026.
Abstract This essay examines erasure art as an anthropological practice through Doctoring Dobbs, a multimodal project responding to the US Supreme Court's overturning of federal abortion rights in Dobbs v. Jackson Women's Health Organization. In creative practice, erasure removes material from an existing source to reveal something new.
Risa Cromer
wiley   +1 more source

Parallelisms and deviations: two fundamentals of an aesthetics of poetic diction. [PDF]

Philos Trans R Soc Lond B Biol Sci
Menninghaus W, Wagner V, Schindler I, Knoop CA, Blohm S, Frieler K, Scharinger M.   +6 more
europepmc   +1 more source

GHAZAL GENRE IN NIMA YUSHIJ’S POETICS

Проблемы исторической поэтики
The article introduces the classical ghazals in the poetry of Nimá Yushíj (1897–1960) that were previously unexamined in Russian and Western Iranian Studies, and that provided an impetus for the development of this traditional genre in the contemporary Persian literature.
openaire   +1 more source

A Chronicle of Disrupted Flows—Bordering of the Amphibious Bengal Delta

Area, Volume 58, Issue 2, June 2026.
Short Abstract The Sundarbans is often framed as a climate crisis hotspot, a perspective that risks naturalising a historically produced condition. This paper argues that present vulnerabilities are rooted in colonial interventions that disrupted a dynamic, amphibious landscape shaped by seasonal floods, tides and human–nonhuman interdependencies ...
Madhurima Majumder, Ingrid Boas, Annet Pauwelussen, Ruben Dahm   +3 more
wiley   +1 more source

वैदिक-लौकिकदृष्ट्या संस्कृतनाटकस्योद्भवः

Prachi Prajna
In the context of classical Sanskrit drama, Rūpakam refers to the different types or genres of dramatic works, encompassing both Nāṭya (the art of dramatic performance) and Rupakam as a literary classification. The term Rūpakam is also used in some texts
Nagarajan V
doaj