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The Performative Forum: Women, Body and Memory in the Foro de Escritores Chile
This article examines the contributions of three contemporary Chilean women poets, Cecilia Vicuña, Anamaría Briede and Luna Montenegro to the UK Writers Forum and its Chilean counterpart, El Foro de Escritores.
Jèssica Pujol Duran
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How can a poem be true? This autoethnographic study uses poetic inquiry to explore the boundaries between fiction and reality within poetic experience.
John L. Hoben
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The narrative elements and dominant structural components in Iraqi prose poetry.
The importance of narration as a literary field that has received widespread attention from writers and critics in their various writings, whether at the level of theorization or practice.
ا.د هيثم عباس سالم +1 more
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Variations in the application of the components of the oral performance to Yoruba chants
It is common knowledge in oral literature that every oral form is naturally performed. The components of the oral performance are, namely, the text, the oral artist, the audience, music, and histrionics.
Gboyega Kolawole
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Oath formulas in the Poetic Edda [PDF]
This study examines oaths in the ON Poetic Edda primarily from a linguistic and rhetorical standpoint with the aim of deducing syntactic-rhetorical formulas for oath swearing. As J. Grimm (1816) said and Hibbitts (1992) reiterated, poetic formulations in
Reis, Jacob Robert
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CYBERPUNK – GAME – POETRY: Rostislav Amelin’s “SimStab”
The article discusses “SimStab” [Simulator of Stability], a poetic performance by a young Russian poet, Rostislav Amelin, as an effective hybrid of the innovative poetry, video game, and the cyberpunk genre models.
Daniil Leiderman, Mark Lipovetsky
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Challenging Perceptions of Disability through Performance Poetry Methods: The "Seen but Seldom Heard" Project. [PDF]
This paper considers performance poetry as a method to explore lived experiences of disability. We discuss how poetic inquiry used within a participatory arts-based research framework can enable young people to collectively question society’s ...
Barnes C. +28 more
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In the open-air performances organised at the beginning of the 20th century at the Greek theatre of Syracuse, one can appreciate the transformation from a melodrama-like performance to a “rhythmic” performance, with the addition of a dancing chorus to ...
Giulia Bordignon
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Artykuł porusza kwestię funkcjonowania pojęcia sławy - kleos - w „Odach zwycięskich” Pindara. Pierwszym problemem jest stosunek pomiędzy kleos Pindara a kleos epickim, w szczególności Homeryckim.
Jaszczyński, Maciej
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Code switching in contemporary isiZulu performance poetry
Recent developments in isiZulu poetry have been marked by an emergence of performance poets whose poems have gained popularity with younger audiences.
Bongephiwe Dlamini Myeni +1 more
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