Results 141 to 150 of about 147,501 (207)
Dynamic assessment of proliferation to guide response-adapted therapy in the setting of neoadjuvant chemotherapy in ER+/HER2- breast cancer. [PDF]
Transl OncolSaghir H, Veerla S, Loman N, Kimbung S.
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New forms of artivism in relation to contemporary societies. Tuty Moreno Campos's <i>soft artivism</i>. [PDF]
Front SociolSousa S.
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Stylistic variation across English translations of Chinese science fiction: Ken Liu versus ChatGPT. [PDF]
Front Artif IntellZhou P, Cheng J.
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2020
In the educational-methodical manual deals with basic dramaturgical and staging the principles of working with documentary and artistic material, techniques use of fact and document in a journalistic view, clearly demonstrates techniques for creating imaginative solutions and scenarios of artistic and journalistic representations.
Irina Kozhaeva, Margarita Litvinova
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In the educational-methodical manual deals with basic dramaturgical and staging the principles of working with documentary and artistic material, techniques use of fact and document in a journalistic view, clearly demonstrates techniques for creating imaginative solutions and scenarios of artistic and journalistic representations.
Irina Kozhaeva, Margarita Litvinova
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AI & SOCIETY, 2007
The TGarden is a genre of responsive environment in which actor–spectators shape dense media sensitive to their movements. These dense fields of light, sound, and material also evolve according to their own composed dynamics, so the agency is distributed throughout the multiple media. These TGardens explore open-ended questions like the following: what
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The TGarden is a genre of responsive environment in which actor–spectators shape dense media sensitive to their movements. These dense fields of light, sound, and material also evolve according to their own composed dynamics, so the agency is distributed throughout the multiple media. These TGardens explore open-ended questions like the following: what
openaire +1 more source
Performance, poetics, and place
2018This dissertation refuses the assumption that poetry is a dying art form. In this study, I focus on poets Marc Smith, David Hernandez, Patricia Smith, and Bob Holman. I place the work of these four poets within the context of the contemporary performance poetry movement and argue that from their position on stage, in the recording studio, or in front ...
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