Results 11 to 20 of about 480,922 (331)
Escape from the periphery. World-system of cinema and Polish film
The main aim of this text is to outline the possibilities of applying Immanuel Wallerstein’s world-systems theory to the analysis of cinema. Concepts developed by Wallerstein, especially the notion of the relationship between the core and the periphery ...
Miłosz Stelmach
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Polish Cinema: From History to Modernity
semanticscholar +2 more sources
Transgender/transvestitism/cross-dressing in Polish cinema
Although the three above-mentioned terms are rather semantically close to each other, and sometimes, especially in the colloquial discourse, they are even treated as synonymous, the difference between these particular concepts is worth mentioning ...
A. Lewicki
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The text discusses the social understanding of the film canon. The analyses is based on the results of the social research “Poles about Polish films.
Barbara Giza, Michał Wenzel
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Polish Postcommunist Cinema and the Neoliberal Order [PDF]
Polish Postcommunist Cinema and the Neoliberal OrderThis essay discusses three Polish films from the last 10 years: Bailiff (Komornik, 2005), directed by Feliks Falk, Edi (2002), directed by Piotr Trzaskalski, and Silesia, directed by Anna Kazejak-Dawid,
Mazierska, Ewa
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POLISH CINEMA AND ACTORS IN SOVIET REALITY
The article considers the preconditions and distribution of Polish cinema in the Soviet Union in the second half of the 60’s – the first half of the 80’s of the XX century.
Олена Василівна Цимбалюк
semanticscholar +3 more sources
Film Exhibition in Warsaw in 1913
In the first two decades, when cinema was developing worldwide from a novelty into an entertainment industry, Warsaw belonged to the multinational Romanov empire. Located at its western borders, this Polish city was an important transportation and trade
Karina Pryt
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The article analyses the ways of presenting the Other — an immigrant, a refugee, a non-Pole — in selected works of Polish cinema from 2015 to 2021.
Piotr Wąsala
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Krzysztof Ptak. Oczy i twarze: Kornblumenblau – 300 mil do nieba – Cynga
In this text, I analyze Krzysztof Ptak’s contribution to such films as Kornblumenblau and Cynga by Leszek Wosiewicz, and 300 miles to heaven by Maciej Dejczera.
Katarzyna Taras
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Polish film has long enjoyed an outstanding reputation but its best known protagonists tend to be male. This book points to the important role of women as key characters in Polish films, such as the enduring female figure in Polish culture, the "Polish Mother," female characters in socialist realistic cinema, women depicted in the films of the Polish ...
Ewa Mazierska, Elzbieta Ostrowska
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