Results 31 to 40 of about 480,922 (331)

DOCUMENTARY ANIMATION OR ANIMATED DOCUMENTARY? REFLECTIONS ON THE HISTORY AND THE CURRENT SITUATION ON THE EXAMPLE OF POLAND AND OTHER COUNTRIES / ДОКУМЕНТАЛЬНАЯ АНИМАЦИЯ ИЛИ АНИМАЦИОННАЯ ДОКУМЕНТАЛИСТИКА? РАЗМЫШЛЕНИЯ ОБ ЕЕ ИСТОРИИ И СОВРЕМЕННОЙ СИТУАЦИИ НА ПРИМЕРЕ ПОЛЬШИ И ДРУГИХ СТРАН

Наука телевидения, 2021
Documentary animation is a hybrid cinematic form, the history of which goes back over 100 years. Earlier such films were rather a rarity, while lately they appear on screens more and more often. Using numerous examples, the article discusses the goals of
VIREN DENIS G. / ВИРЕН Д.Г.
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István, a király: Rock-Opera As an Expression of Hungarian National Identity [PDF]

, 2015
The movie Istvàn, a kiràly presents themes which are not only universal, but also crucial for the process of building Hungarian national identity, such as the myth of origin, the insoluble conflict between the past and present, Christianity, and the ...
Wąsowicz, Magdalena
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Humanity Rearranged: The Polish and Czechoslovak Pavilions at Expo 58 [PDF]

, 2012
This article explores the ways in which ʻcinematicʼ exhibition techniques exploited by Czechoslovak and Polish designers in schemes for the Brussels Worlds Fair in 1958 can be understood as part of a new political project to produce active citizens after
Crowley, David
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Filmowa Łódź Jadwigi Andrzejewskiej

Images, 2017
Before WWII, Jadwiga Andrzejewska 1915–1977) was among the most popular actresses in Polish cinema. During WWII she acted in the Dramatic Theatre of the Polish Second Corps.
Roman Włodek
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Moving Ahead into the Past: Historical Contexts in Recent Polish Cinema [PDF]

, 2012
Moving Ahead into the Past: Historical Contexts in Recent Polish CinemaThe article looks at treatments of Poland’s 20th-century history in Polish films made over the last several years.
Anessi, Thomas
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Gombrowicz a polski film fabularny

Przestrzenie Teorii, 2013
This article presents the influence that Witold Gombrowicz’s work has had on Polish cinema. It covers several generations of directors, for example, Andrzej Munk (born in the 1920s), Roman Polański and Jerzy Skolimowski (born in the 1930) as well as ...
Jacek Nowakowski
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Polskie kino w zwierciadle francuskich archiwów audiowizualnych INA: między obrazem narodowym a estetyką polityczną

Images
This text is the result of archival research conducted at the Institut national de l’audiovisuel (INA) in Paris. An analysis of the INA archives from the perspective of a Polish film scholar facilitates not only a mapping of the media presence of Polish
Barbara Głębicka-Giza
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TRENDS IN FILM INDUSTRY DEVELOPMENT IN POLAND

Humanities and Social Sciences, 2018
The film industry in each country is referred to as "national cinematography". In Poland, very large changes in the cinematographic industry took place after 2005.
Agnieszka ORANKIEWICZ, Artur MAJER
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Kino Wolność (1990–2009)

Postscriptum Polonistyczne, 2020
The article deals with Polish cinema after the year 1989. Starting with the characteristics of Polish cinema before the period of transformations, the author continues with an analysis of the new cinema to distinguish four currents: “works of mourning ...
Tadeusz Lubelski
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Les séries polonaises des années 1970 : entre contraintes politiques et censures génériques

Mise au Point, 2011
In the seventies, the director of Polish Television launched the "success propaganda", an editorial line supposed to be the TV portrayal of the nation's economic modernisation. During that period the cult Polish series Middle-aged man [Czterdziestolatek]
Ania Szczepanska
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