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Reformasi-Era Popular Music Studies
2022This chapter reconsiders the history of popular music studies in Indonesia. It shows a novel paradigm for the analysis of post-Reformasi-era popular music studies. Prior analyses, as the chapter suggests, were preoccupied with nationalism, democratization, totalitarianism, and identity, viewing popular music primarily (or only) as a form of political ...
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Ethnography and popular music studies
Popular Music, 1993Simon Frith (1982) once bemoaned the fact that students would rather sit in the library and study popular music (mainly punk) in terms of the appropriate cultural theory, than conduct ethnographic research which would treat popular music as social practice and process. Ten years later the literature on popular music is still lacking in ethnography.
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Looking Towards the Future: Popular Music Studies and Music Scholarship
Twentieth-Century Music, 2020In the foreword to the first issue of Popular Music and Society, published in 1971, Ray B. Browne wrote that, ‘until very recently … academics, with a few notable exceptions, were by and large indifferent to the role of popular music in their world’; he then recounted a rejection he had received from an academic journal, whose editor had written that, ‘
BRIAN F. WRIGHT +2 more
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Popular Music Studies and Interdisciplinarity
Journal of World Popular Music, 2019Recent trends suggest that the interdisciplinary character that defined popular music studies in its formative stages has been supplanted by retrenchment along lines of disciplinary or sub-disciplinary alliance. In this article, I briefly survey some of the signs of the field’s realignment in the past two decades, drawing upon my experience as ...
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Directions in Popular Music Studies
Perfect Beat, 2015Charles Keil & Steven Feld (1994) Music Grooves: Essays and Dialogues, Chicago: University of Chicago ...
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Studia Musicologica Academiae Scientiarum Hungaricae, 1991
János Maróthy +2 more
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János Maróthy +2 more
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Towards posthegemonic popular music studies
2019In this paper, I argue that the implicit or explicit dependence on hegemony theory within popular music studies has resulted in diminishing the relevance of the aural dimension of culture and neglecting the wider consideration of the political effects of sound.
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Interdisciplinary Editing in Popular Music Studies
Music Reference Services Quarterly, 1998Abstract The author relates his experiences as Editor of Popular Music and Societythe leading journal in its field.
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2000
Abstract This series of three Study Sessions, all with titles of the form ‘Musicology, Popular Music Studies, and ... ‘, was coordinated by Richard Middleton. The series was plagued by the withdrawal of a number of the contributors who had originally agreed to speak, and a fourth session on gender study had to be cancelled.
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Abstract This series of three Study Sessions, all with titles of the form ‘Musicology, Popular Music Studies, and ... ‘, was coordinated by Richard Middleton. The series was plagued by the withdrawal of a number of the contributors who had originally agreed to speak, and a fourth session on gender study had to be cancelled.
openaire +1 more source