Results 71 to 80 of about 17,391 (95)
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2000
Abstract This series of three Study Sessions, all with titles of the form ‘Musicology, Popular Music Studies, and ... ‘, was coordinated by Richard Middleton. The series was plagued by the withdrawal of a number of the contributors who had originally agreed to speak, and a fourth session on gender study had to be cancelled.
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Abstract This series of three Study Sessions, all with titles of the form ‘Musicology, Popular Music Studies, and ... ‘, was coordinated by Richard Middleton. The series was plagued by the withdrawal of a number of the contributors who had originally agreed to speak, and a fourth session on gender study had to be cancelled.
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The Music of Samba Schools: A Challenge for Popular Music Studies
2017The music of the samba schools of Rio de Janeiro, the samba-enredo, is a topic of much interest to the popular music studies. One of its most striking features is the fact that most of the composers who are dedicated to this genre does not have any formal musical education, which provides fertile ground for studies on music learning processes and oral ...
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Interdisciplinary Editing in Popular Music Studies
Music Reference Services Quarterly, 1998Abstract The author relates his experiences as Editor of Popular Music and Societythe leading journal in its field.
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Towards posthegemonic popular music studies
2019In this paper, I argue that the implicit or explicit dependence on hegemony theory within popular music studies has resulted in diminishing the relevance of the aural dimension of culture and neglecting the wider consideration of the political effects of sound.
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Musical Violence and Popular Music Studies
2017Bruce Johnson, Martin Cloonan
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‘Popular Music and Social Reality’, International Association for the Study of Popular Music
Popular Music, 1992openaire +1 more source
POPULAR MUSIC STUDIES: THE ISSUE OF MUSICAL VALUE
Journal of Popular Music Studies, 1992openaire +1 more source
Beatles Studies vs. Popular Music Studies?
2017Beginning with William Mann’s seminal 1963 article in the Times, this presentation reviews half a century of so-called Beatles studies, the history of which is examined in the light of the academic research carried out on popular music since the 1960s. From Wilfrid Mellers’s early attempts to the first American theses addressing the Beatles through the
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