Results 211 to 220 of about 2,842 (232)

From the Great Reform to the Post-dramatic: Adaptation in the Polish Postwar Theatre

Canadian Slavonic Papers, 2010
Modern Polish theatre is rightly admired worldwide, yet by contrast, modern Polish dramatic literature - aside from a few names (Witkiewicz, Gombrowicz, Mrozek, Rozewicz) - is practically unknown. Some might argue that this state of affairs has emerged because Polish directors have preferred to bypass dramatic literature altogether and create their own
exaly   +2 more sources

Legionnaires, or the post-dramatic, political theatre, Latvian style, goes on Legionnaires - directed by Valters Silis, produced by Theatre Gertrudes ielas teatris (Latvia), Turteatern (Sweden), Kokoteatteri (Finland) - against the background of a 'punching with tenderness' political theatre wave

Maska, 2013
Abstract This article is an attempt at an introduction of the Latvian show Legionnaires on several levels: as an extraordinary theatre production in its own right, as part of the Baltic theatre phenomenon, and as part of the New Wave of political theatre aimed at looking inwards in search of a change in the bigger world and using love ...
exaly   +2 more sources

(Post)Dramatic Strategies: Performing Difference in Pat Kinevane’s Solo Theatre

Irish University Review, 2021
Pat Kinevane's solo performances focus on identities constituted on the margins of contemporary Irish society. Fusing the comic with the tragic, improvisation with carefully planned execution, and entertainment with serious cultural critique, these performative works range freely through diverse theatrical styles to represent Irish characters ...
openaire   +1 more source

“Words Gone with the Sea”, Exploring Lehmann’s Post-Dramatic Theatre in Jon Fosse’s I Am the Wind (2011)

Maǧallaẗ Buḥūṯ Kulliyyaẗ Al-Adāb - Gamiʿ‎āẗ Al-Munūfiyyaẗ
exaly   +2 more sources

Towards a Radical Pedagogy of Post-Dramatic Theatre

2017
This research project makes an enquiry into post-dramatic theatre’s potential as a counter-apparatus for radical pedagogy. It argues that PDT enables its participants to coauthor acts of creative resistance outside of the usual hegemonic modes of theatrical production often prescribed for and expected of young people.
openaire   +1 more source

‘This is my country! This is my country.?’: Stalker Theatre Company's Incognita and the auto-ethnographic turn in post-dramatic, site-based Australian theatre

Studies in Theatre and Performance, 2008
AbstractStalker Theatre Company is a Sydney-based company renowned for the production and execution of spectacular outdoor performances. Stalker claims to create ‘a theatre of dimension’ (Stalker website) in which the large scale and heightened physicality of performance reflects the monumentality of the Australian landscape and its impact on the ...
openaire   +1 more source

Features of the atmosphere framework in post-dramatic theatre

Purpose. To define the features of the atmosphere of post-dramatic performances, review the main tools for creating atmosphere in post-dramatic theatre, the influence on the generation of atmospheres of non-linear, collage, fragmentary framework of post-dramatic performances, in comparison with the principles of creating the atmosphere of dramatic ...
openaire   +1 more source

The (Post-)theatre of the Twenty-First Century in Spain and the North American Post-drama TV Series: A Political, Historic and Comparative Research. Playwrights, Patterns and All-Embracing Point of View

Smart Innovation, Systems and Technologies, 2021
MIGUEL Ángel Orosa Roldan, Viviana Galarza, FRANCISCO Collado-Campaña   +2 more
exaly  

Living with Ghosts: Sarah Kane’s Texts for Performance and Post-dramatic Theatre

Modern Drama, 2015
openaire   +1 more source

Ẹnu dùn ń rò’fọ́…: Theatre design, audience cognition and dramatic adaptation of Fagunwa’s texts

Journal of Adaptation in Film and Performance, 2020
Michael Aderemi Adeoye
exaly