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Post-Dramatic Performance: Semantics and Pragmatics (Based on the Play Shpalikov Staged by the Yeltsin Center Theatre Platform “in the Center”) [PDF]

KnE Social Sciences, 2020
The article is devoted to the understanding of the phenomenon of modern theatre, defined by the German theater critic Hans-Thies Lehmann as “post-dramatic theatre”. The purpose of the article is to show the mode of existence of post-drama in the real theatrical process. From Lehmann’s point of view, post-drama is not a new direction in art, but a state
L. M., Nemchenko, Nemchenko, L. M.
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Grzegorz Jarzyna’s Theatre of Post-Dramatic Joy and Recognition

2021
This chapter presents the artistic career (with key performances as milestones) and theatre aesthetics of Grzegorz Jarzyna, one of the most influential theatre directors in contemporary Poland, co-creator of the significant metropolitan theatre called Teatr Rozmaitości.
exaly   +2 more sources

Metatheatrical and post dramatic devices: An overview of post-modern theatre رؤية عامة في مسرح ما بعد الحداثة: سمات ما بعد المسرح وما وراء الدراما د. هبة نبيل عجينة

سرديات, 2021
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From the Great Reform to the Post-Dramatic: Adaptation in the Polish Postwar Theatre

Canadian Slavonic Papers, 2010
Modern Polish theatre is rightly admired worldwide, yet by contrast, modern Polish dramatic literature - aside from a few names (Witkiewicz, Gombrowicz, Mrozek, Rozewicz) - is practically unknown. Some might argue that this state of affairs has emerged because Polish directors have preferred to bypass dramatic literature altogether and create their own
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(Post)Dramatic Strategies: Performing Difference in Pat Kinevane’s Solo Theatre

Irish University Review, 2021
Pat Kinevane's solo performances focus on identities constituted on the margins of contemporary Irish society. Fusing the comic with the tragic, improvisation with carefully planned execution, and entertainment with serious cultural critique, these performative works range freely through diverse theatrical styles to represent Irish characters ...
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Legionnaires, or the Post-Dramatic, Political Theatre, Latvian Style, Goes on Legionnaires - Directed by Valters Silis, Produced by Theatre Gertrudes Ielas Teatris (Latvia), Turteatern (Sweden), Kokoteatteri (Finland) - Against the Background of a 'Punching With Tenderness' Political Theatre Wave

Maska, 2013
Abstract This article is an attempt at an introduction of the Latvian show Legionnaires on several levels: as an extraordinary theatre production in its own right, as part of the Baltic theatre phenomenon, and as part of the New Wave of political theatre aimed at looking inwards in search of a change in the bigger world and using love ...
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Towards a Radical Pedagogy of Post-Dramatic Theatre

2017
This research project makes an enquiry into post-dramatic theatre’s potential as a counter-apparatus for radical pedagogy. It argues that PDT enables its participants to coauthor acts of creative resistance outside of the usual hegemonic modes of theatrical production often prescribed for and expected of young people.
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‘This is my country! This is my country.?’: Stalker Theatre Company's Incognita and the auto-ethnographic turn in post-dramatic, site-based Australian theatre

Studies in Theatre and Performance, 2008
AbstractStalker Theatre Company is a Sydney-based company renowned for the production and execution of spectacular outdoor performances. Stalker claims to create ‘a theatre of dimension’ (Stalker website) in which the large scale and heightened physicality of performance reflects the monumentality of the Australian landscape and its impact on the ...
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