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Post-dramatic/Sanskrit theatre [PDF]

, 2011
Post/dramatic/Sanskrit ...
Arya Madhavan (17162587)
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(Post)Dramatic Strategies: Performing Difference in Pat Kinevane’s Solo Theatre

Irish University Review, 2021
Pat Kinevane's solo performances focus on identities constituted on the margins of contemporary Irish society. Fusing the comic with the tragic, improvisation with carefully planned execution, and entertainment with serious cultural critique, these performative works range freely through diverse theatrical styles to represent Irish characters ...
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Towards a Radical Pedagogy of Post-Dramatic Theatre

2017
This research project makes an enquiry into post-dramatic theatre’s potential as a counter-apparatus for radical pedagogy. It argues that PDT enables its participants to coauthor acts of creative resistance outside of the usual hegemonic modes of theatrical production often prescribed for and expected of young people.
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‘This is my country! This is my country.?’: Stalker Theatre Company's Incognita and the auto-ethnographic turn in post-dramatic, site-based Australian theatre

Studies in Theatre and Performance, 2008
AbstractStalker Theatre Company is a Sydney-based company renowned for the production and execution of spectacular outdoor performances. Stalker claims to create ‘a theatre of dimension’ (Stalker website) in which the large scale and heightened physicality of performance reflects the monumentality of the Australian landscape and its impact on the ...
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Features of the atmosphere framework in post-dramatic theatre

Purpose. To define the features of the atmosphere of post-dramatic performances, review the main tools for creating atmosphere in post-dramatic theatre, the influence on the generation of atmospheres of non-linear, collage, fragmentary framework of post-dramatic performances, in comparison with the principles of creating the atmosphere of dramatic ...
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The (Post-)theatre of the Twenty-First Century in Spain and the North American Post-drama TV Series: A Political, Historic and Comparative Research. Playwrights, Patterns and All-Embracing Point of View

Smart Innovation, Systems and Technologies, 2021
MIGUEL A Orosa, FRANCISCO Collado-Campaña, Viviana Galarza-Ligña   +2 more
exaly  

Living with Ghosts: Sarah Kane’s Texts for Performance and Post-dramatic Theatre

Modern Drama, 2015
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Ẹnu dùn ń rò’fọ́…: Theatre design, audience cognition and dramatic adaptation of Fagunwa’s texts

Journal of Adaptation in Film and Performance, 2020
Michael Aderemi Adeoye
exaly  

Justifying Theatre in Organisational Analysis: A Carnivalesque Alternative?

Consumption Markets and Culture, 2006
Chris Steyaert
exaly  

Facing the War: Visions of Death From Epic Structures to Post-dramatic Theatre

2004
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