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Vadim Shershenevich as a translator, librettist and critic in a theatrical dialogue with Shakespeare
Научный диалог, 2022 The reception of the works of William Shakespeare in the work of the poet and translator Vadim Shershenevich (1893—1942) is considered. The relevance of the study is due to the insufficient study of the reception of Shakespeare’s work in the legacy of ...
D. N. Zhatkin, V. V. Serdechnaya
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"Indigested in the Scenes: Hamlet's Dramatic Theory and Ours" [PDF]
, 2017 (Forthcoming in PMLA, January 2018) Discussions of the relationship between drama and performance have been dominated by two symmetrical, emancipatory impulses. Performance scholars have, for the past half-century, sought to liberate performance from the
Daniel Keegan
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“What’s in a Name?” Authorship as (Micro)Genre in the Paratext of the Hogarth Shakespeare Project
Interfaces, 2022 The novels commissioned and published as part of the Hogarth Shakespeare project involve a series of recontextualisations of Shakespeare’s work, not only from the genre of drama to that of prose or a range of established subgenres, but the choice of ...
Eli Løfaldli
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Full of noises: when “World Shakespeare” met the “Arab Spring” [PDF]
, 2015 In summer 2012, to coincide with the Olympic Games, the United Kingdom celebrated a summer of Shakespeare. Troupes from around the world were invited to produce their own versions of plays from the playwright's corpus. 2012 was also a very eventful year,
Cormack, Raphael +2 more
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Научный диалог, 2022 The article is devoted to comprehension of the translational reception of William Shakespeare’s work in the legacy of Vadim Shershenevich (1893—1942) in the context of his author's translation strategies.
V. V. Serdechnaya, D. N. Zhatkin
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ABO : Interactive Journal for Women in the Arts 1640-1830, 2018 Anna Larpent (1758-1832) is a crucial figure in theater history and the reception of Shakespeare since drama was a central part of her life. Larpent was a meticulous diarist: the Huntington Library holds seventeen volumes of her journal covering the ...
Fiona Ritchie
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Shakespeare Reception in China
Theory and Practice in Language Studies, 2012 Since the name of Shakespeare was first introduced into China, Shakespeare in China has witnessed several different development phases in the fields of translating, performing and criticism. In whichever phase the characteristic of Shakespearean studies in China was closely associated with the historical, cultural and political situation at that time ...
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Linguaculture, 2010 The German-speaking director Stéphane Braunschweig centres his work mostly on the German contemporary, yet he turned to Shakespeare on a few occasions, especially in this memorable staging of Measure for Measure performed in English by actors from ...
Isabelle Schwartz-Gastine
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Creative SaplingsDespite the predominance of Karl Marx's references to William Shakespeare and the equally advertised presentation of his daughter, Eleanor Marx's promotion of Shakespeare through her literary Association, the Dogberry Club, and her writings, there is no ...
Austine Amanze Akpuda
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'It is Germany where he truly lives': Nazi claims on Shakespearean drama [PDF]
, 2012 The fact that the Nazis tried to claim Shakespeare as a Germanic playwright has been well documented but recently theatre historians have claimed that their “success” was rather limited.
Heinrich, A.
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