Results 31 to 40 of about 37,797 (222)
This article considers the perception of the main group and personal exhibitions of Soviet third-wave émigré artists by the American press between the 1970s and 1980s. It analyses reviews in periodicals, which recorded the amplitude of growth and decline
Irina Andreevna Riznychok
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Serving as a conceptual introduction to the ARTS special issue, the article discusses the importance of archaic imagery and poetics of a major avant-garde actor who often symbolizes the main axis of Slavic radical modernism in its Avant-garde phase ...
Dennis Ioffe
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Russian and American Poetry: Towards New Language Abilities [PDF]
The book by Vladimir Feshchenko, a Russian researcher of the language of poetry and a publisher of avant-garde literature, is devoted to Russian and American poetry of the language experiment in the 20th and early 21st century. Using examples from Andrei
Alexander M. Ulanov
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The New Generation And The New Russia: Modern Childhood As Collective Fantasy [PDF]
American ...
Mickenberg, Julie
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Middlebrow Aesthetics: An Explanation and Defense
ABSTRACT We offer a philosophical account of the middlebrow as a theoretical category to do explanatory and critical work in aesthetics. On our account, the middlebrow ought to be understood as aspirational popular art. That is, it is art which aspires both to be popular (in a distinctive sense), and at the same time to be something more than popular ...
Aaron Meskin, Jonathan M. Weinberg
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Visual and Verbal Self-Referentiality in Russian Avant-Garde Picturebooks
The early Soviet picturebook arose in an age of propaganda that conceived of children’s literature as a “forgotten weapon” in the battle to train a new populace to inhabit the new post-revolutionary world.
Sara Pankenier Weld
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Abstract The analysis of Lenin’s language and rhetoric undertaken by the leading representatives of Russian Formalism in the pages of the journal LEF in early 1924 represents more than a tactical attempt to align Formalism with the mainstream of Bolshevik culture‐building in the context of the Soviet 1920s.
Alastair Renfrew
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Architecture of Russian Avant-Garde and Japanese Metabolism: Parallels of Forms and Meanings
Russian avant-garde of the 1920-ies and Japanese metabolism of the 1960-ies are close to each other in their fundamental ideas and major concepts of morphogenesis: the removal of the distinction between form and content, architectural structures ...
Nina Konovalova
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Singing Off the Road to Life: The Threat of Sonic Delinquency in the Early Soviet Union
Abstract During the New Economic Policy, Bolshevik activists and the public alike shared a fixation on singing criminals and young delinquents. It saturated stories of criminality and moral or social reform, from newspapers to sociological literature and even one of the first Soviet sound films.
Elizabeth Abosch
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The paper presents an analytical review of the studied and processed information on the fundamental role of the education of artists in the system of the avant-garde institutes and art schools in the first quarter of the twentieth century. The study explores the main theoretical aspects related tothe development and formation of the Russian textile ...
Tatiana E. Patina, Ol’ga V. Kovaleva
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