Results 11 to 20 of about 2,697 (135)
Acquiring musical knowledge increases music liking: Evidence from a neurophysiological study. [PDF]
Psych JAbstract People possessing musical knowledge tend to enjoy music more, but the linkage remains to be determined. Based on the shared affective motion experience model for music appreciation, we hypothesized that acquiring musical knowledge about the music itself, for example, an analytical understanding of music elements and the related emotional ...
Hou Y, Song B, Zhu Y, Yu L, Hu Y.
europepmc +2 more sources
Music Analysis, Volume 42, Issue 3, Page 412-471, October 2023., 2023 ABSTRACT Julian Horton's 2020 article on the ‘necessity of analysis’ delineates previous critiques of music analysis into the performative and the historicist and counters their assumptions. He proposes that analysis remains viable in light of historical, ontological, systemic, discursive, phenomenological and political imperatives.
Kofi Agawu +8 more
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From Dürer's Magic Square to Klumpenhouwer Tesseracts: On Melencolia (2013) by Philippe Manoury
Music Analysis, Volume 41, Issue 1, Page 145-182, March 2022., 2022 ABSTRACT Many Western art music composers have taken advantage of tabulated data for nourishing their creative practices, particularly since the early twentieth century. The arrival of atonality and serial techniques was crucial to this shift. Among the authors dealing with these kinds of tables, some have considered the singular mathematical ...
José L. Besada +2 more
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Die frühe Schenker-Rezeption Hellmut Federhofers [PDF]
Zeitschrift der Gesellschaft für Musiktheorie, 2018 Der Aufsatz beschäftigt sich mit der frühen Schenker-Rezeption des österreichischen Musikwissenschaftlers Hellmut Federhofer (1911–2014), die in der Forschung bislang ebenso wenig Beachtung fand wie deren biographische und historische Voraussetzungen. Es
Thomas Wozonig
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Ganymed's heavenly descent [PDF]
, 2020 Schubert's song “Ganymed” has attracted a great deal of interest from analysts due to its progressive tonal plan, often seen as a challenge to Schenkerian theories of tonal structure, and evocative text.
Yust, Jason
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Analisis Schenkerian Pada Komposisi L’Armonia Opus 148.5 Gitar Klasik Karya Mauro Giuliani
Promusika: Jurnal Pengkajian, Penyajian, dan Penciptaan Musik, 2018 Ada beragam jenis cara analisis musik namun yang selama ini lebih dikenal dan dipelajari di lingkungan penulis, adalah analisis bentuk musik. Ada cara lain dalam bidang analisis, salah satunya adalah analisis schenkerian.
adityo legowo
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E-quadruple flat: Tovey’s Whimsy [PDF]
Zeitschrift der Gesellschaft für Musiktheorie, 2011 This paper examines the development section of Beethoven’s Appassionata Sonata in light of Donald Francis Tovey’s whimsical remark about the appearance of an E-quadruple flat.
Eric Wen
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Index to Ascending Cadence Gestures in Essays Published on the Texas ScholarWorks Platform: Update 2020 [PDF]
, 2020 This file updates the Index published in January 2019. There are two sections. The first is a progress report on the project Ascending Cadence Gestures, A New Historical Survey.
Neumeyer, David
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Fluctuating Tonality and Monotonality in Schoenberg’s Op. 6, No. 8 “Der Wanderer”
Nota Bene, 2020 Briefly yet tantalizingly outlined in his Theory of Harmony, interpretation of Schoenberg’s concept of fluctuating tonality has proved fruitful in the discussion of his late tonal repertoire, leading to scholarship such as Christopher Lewis’s 1987 ...
Vlad Praskurnin
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Satztechnische und strukturelle Stimmführung im frühen 18. Jahrhundert. Zur Bedeutung des Fugensoggettos für den musikalischen Zusammenhang [PDF]
Zeitschrift der Gesellschaft für Musiktheorie, 2008 Zur Fuge wird eine Komposition des frühen 18. Jahrhunderts durch bestimmte satztechnische Verfahren, zur Form wird sie durch die funktionale Einheit, zu der sich die Teilmomente des Werks zusammenschließen.
Michael Polth
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