Results 21 to 30 of about 2,697 (135)

Johannes Brahms’ Intermezzo a-Moll op. 118/1. Analyseergebnisse und ihre klangliche Umsetzung [PDF]

Zeitschrift der Gesellschaft für Musiktheorie, 2013
Zu Brahms’ Intermezzo a-Moll op. 118/1 werden auf Grundlage der Theorie Heinrich Schenkers drei Deutungen, die als Urlinie einen Terzzug postulieren (Lamb, Leekam und Barcaba) zwei Deutungen gegenübergestellt, die als Urlinie einem Quintzug den Vorzug ...
Joanne Leekam
doaj   +1 more source

Extending a network-of-elaborations representation to polyphonic music: Schenker and species counterpoint. [PDF]

, 2004
A system of representing melodies as a network of elaborations has been developed, and used as the basis for software which generates melodies in response to the movements of a dancer.
Marsden, Alan
core   +2 more sources

Restoring the structural status of keys through DFT phase space [PDF]

, 2017
One of the reasons for the widely felt influence of Schenker’s theory is his idea of long-range voice-leading structure. However, an implicit premise, that voice leading is necessarily a relationship between chords, leads Schenker to a reductive method ...
Yust, Jason
core   +1 more source

Zu Johannes Brahms’ Intermezzo h-Moll op. 119/1 [PDF]

Zeitschrift der Gesellschaft für Musiktheorie, 2013
Im ersten Teil des Beitrags wird ausgehend von der Diskussion diverser Instantiierungen und Verknüpfungen satztechnischer Modelle in Johannes Brahms’ Intermezzo h-Moll op. 119/1 eine teilweise Rekomposition des Originals vollführt.
Stefan Rohringer
doaj   +1 more source

Laurel Parsons and Brenda Ravenscroft (eds), Analytical Essays on Music by Women Composers: Secular & Sacred Music to 1900 (Oxford and New York: Oxford University Press, 2018). xi + 273 pp. £41.99 (hb). ISBN: 9780190237028.

, 2022
Music Analysis, Volume 41, Issue 2, Page 332-340, July 2022.
Joe Davies
wiley   +1 more source

Ascending Cadence Gestures, New Historical Survey, Part 1: Introduction [PDF]

, 2019
This new documentation of traditional European and European-influenced music with ascending lines and cadence gestures includes compositions from the fifteenth through the early twentieth century. The work is gathered in five parts, published separately.
Neumeyer, David
core   +1 more source

Recognition of variations using automatic Schenkerian reduction. [PDF]

, 2010
Experiments on techniques to automatically recognise whether or not an extract of music is a variation of a given theme are reported, using a test corpus derived from ten of Mozart's sets of variations for piano.
Marsden, Alan
core   +1 more source

Eric Wen, Graphic Music Analysis: an Introduction to Schenkerian Theory and Practice (Lanham: Rowman & Littlefield, 2020). xiv + 390 pp. $89 (pb). ISBN 9781538104668.Eric Wen, Structurally Sound: Seven Musical Masterworks Deconstructed (New York: Dover, 2017). xiv + 320 pp. $24.95 (pb). ISBN 9780486806778.

, 2022
Music Analysis, Volume 41, Issue 1, Page 183-207, March 2022.
John Koslovsky
wiley   +1 more source

An overview of the advantages and limitations of Simon's Theorie der Tonfelder in the analysis of the highly chromatic segments of the nineteenth-century repertoire [PDF]

Zbornik Radova Akademije Umetnosti
Theorists and analysts have approached the tonal repertoire using various methodologies, from "traditional" harmonic analysis through Schenkerian reductionism to NEO-Riemannian transformational notions.
Komatović Nikola
doaj   +1 more source

A Gallery of Simple Examples of Extended Rising Melodic Shapes [PDF]

, 2017
Prevailing stereotypes of formal cadences and arch-shaped melodies were especially strong in the eighteenth century, but they did not prevent European musicians from occasionally introducing rising melodic figures into cadences and sometimes connecting ...
Neumeyer, David
core   +1 more source