Results 41 to 50 of about 23,011,697 (143)
Per Musi, 2010 O presente artigo examina a canção Chovendo na roseira, de Antônio Carlos Jobim, focando as relações estruturais aprofundadas existentes entre melodia, harmonia e forma.
Carlos de Lemos Almada
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Analysing symbolic music with probabilistic grammars [PDF]
, 2015 Recent developments in computational linguistics offer ways to approach the analysis of musical structure by inducing probabilistic models (in the form of grammars) over a corpus of music.
Abdallah, Samer +2 more
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A space for inflections: following up on JMM's special issue on mathematical theories of voice leading [PDF]
, 2013 Journal of Mathematics and Music's recent special issue 7(2) reveals substantial common ground between mathematical theories of harmony advanced by Tymoczko, Hook, Plotkin, and Douthett.
Yust, Jason
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“Un bacio”—ancora? Un altro “bacio”! [PDF]
, 2018 It is difficult to credit the usual explanation that the mere fact of the “bacio” theme’s recapitulation in act 4 of Verdi’s Otello accounts for its powerful effect.
Arthur Maisel
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A Sweeter Music: Two Essays and a Colloquy on an Elgar Part‐Song
Music Analysis, Volume 44, Issue 2, Page 246-289, July 2025.ABSTRACT Edward Elgar's 1907 part‐song ‘There Is Sweet Music’ (Op. 53 No. 1) is at once a ‘minor’ piece and a highly significant one that richly rewards investigation. It is notable as an early instance of bitonality, being notated simultaneously in two keys – the male choir in G major and the female choir in A♭. Yet despite the apparent discordance of
Patrick McCreless, Benedict Taylor
wiley +1 more source
Software for Schenkerian Analysis [PDF]
, 2011 Software developed to automate the process of Schen-kerian analysis is described. The current state of the art is that moderately good analyses of small extracts can be generated, but more information is required about the criteria by which analysts make
Marsden, Alan
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Music Analysis, Volume 44, Issue 1, Page 3-43, March 2025.ABSTRACT Is musical analysis meant to guide performance – or to be based on it? Can a Schenkerian analysis of a piece be corroborated by a performance or an arrangement? This article addresses these questions through a well‐known test case – the first prelude of the first book of Bach's Well‐Tempered Clavier, as analysed by Heinrich Schenker in Five ...
NAPHTALI WAGNER, RAM REUVEN
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David Temperley, Music and Probability [PDF]
, 2007 review of David Temperley's "Music and Probability".
Lewis, David +3 more
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Debussy's string quartet in the Brussels salon of "La Libre Esthetique" [PDF]
, 2007 The second performance of Debussy's String Quartet, given by the Ysaye Quartet on an all-Debussy program during the 1894 salon of "La Libre Esthétique" in Brussels, offers an ideal context for a critical reexamination of his musical and aesthetic ...
Code, David J.
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, 2014 Music Analysis, at its best, is an Art, not a Science.Indeed it must be based on a thorough understanding ofcounterpoint, harmony, and form.And careful attention must always be paidto context, to musical detailas well as to the larger picture.Most of all-
J. Kraus
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