Results 71 to 80 of about 1,340 (121)
This is a conversation between Heike Salzer, Artistic Director of Salts and Ana Baer, Artistic Co-Director of the Sans Souci Festival of Dance Cinema. They talk about the creative process of a videographer, the Sans Souci Festival, and the importance of ...
Heike Salzer, Ana Baer
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Reflections on Regards Hybrides, an International Forum (2019, Second Edition)
No abstract available.
Douglas Rosenberg
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Cuerpo, danza y pantalla: nuevas prácticas audiovisuales en torno a los espectáculos de danza [PDF]
Desde las primeras prácticas de interrelación entre audiovisual y danza se ha escrito mucho sobre la especificidad de la videodanza como modalidad de la videocreación o videoarte y han surgido diversas exploraciones artísticas en los que el cuerpo, los ...
Garnelo-Díez, Isabel +1 more
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Koreografski i prostorni nivoi u plesnom filmu Paviljon Jasmine Cibic [PDF]
The paper is a case study of Jasmina Cibic\u27s film The Pavilion (2015) in relation to the theory of screendance. The first part of the paper discusses the definitions of the term screendance by various researchers, and its position to related terms ...
Sonja Jankov
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Move: Durational Dance-Making as We Age. [PDF]
Nikolai J.
europepmc +1 more source
Performing Illness: A Dialogue About an Invisibly Disabled Dancing Body. [PDF]
Pini S, Maguire-Rosier K.
europepmc +1 more source
Validation and virtuosity:Perspectives on difference and authorship/control in dance [PDF]
This article brings together two different perspectives, dance and law, to ask questions about authorship and ownership in disabled dance. The focus is on Caroline Bowditch’s short film project, A Casting Exploration, in which she is recast as the female
Brown, Abbe +3 more
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NUVE : na senda da performance digital [PDF]
ARTECH 2012, Faro, 7–9 de Novembro de 2012O projeto aqui apresentado possui como objectivo explorar as possibilidades artísticas oferecidas por performances digitais em tempo real, na forma de dança, encarada como forma de expressão corporal privilegiada,
Barros, Né +3 more
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No abstract available. This article was originally published by Parallel Press, an imprint of the University of Wisconsin-Madison Libraries, as part of The International Journal of Screendance, Volume 1 (2010), Parallel Press.
Douglas Rosenberg
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