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Los términos de parentesco como formas de tratamiento en "La Celestina" [PDF]
, 2003 Barrio de la Rosa, Florencio del
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Las fuentes clásicas y los libros de caballerías: el caso de Feliciano de Silva [PDF]
, 2005 Pomer Monferrer, Luis +1 more
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Black Ethics: Skin Color and Courtly Love in Feliciano de Silva's Segunda Celestina
La corónica: A Journal of Medieval Hispanic Languages, Literatures, and Cultures, 2023Abstract: In the short skit that occupies Acts 2 and 6 of Feliciano de Silva's Segunda Celestina (1534), a black houseboy, most likely a slave, Zambrán, berates his fellow servant, Pandulfo, a notorious pimp, for not treating women with the prescribed modesty, thus endangering not only the reputation of young maidens, but also of their high-born ...
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"La Segunda Celestina": XVIIth and XIXth Centuries
Hispania, 1960The transition on the popular stage from the neoclassical to the romantic drama was accomplished to a considerable extent by the presentation of seventeenth century plays. The early years of the nineteenth century were particularly barren of significant native contributions to the development of the drama; only one dramatist of the period, Moratin the ...
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Divadelní typ chvástavého vojáka v díle Feliciana de Silvy Segunda Celestina (1536)
2020This bachelor's thesis studies the speeches of a boastful soldier in the play of Feliciano de Silva Segunda Celestina. Based on his speeches, I found out how the researched subject of interest corresponds to this type of soldier and how it differs. The role model for my researched character was Spanish soldier Centurio.
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Bulletin of the Comediantes, 2008
This essay examines female agency and deviance in two key scenes of La segunda Celestina as an act of monstrosity, a term that figures in this context as a transgression of gender codes. One of the three main female characters, Beatriz, is identified by her proclivity to hunt and her aversion to marry.
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This essay examines female agency and deviance in two key scenes of La segunda Celestina as an act of monstrosity, a term that figures in this context as a transgression of gender codes. One of the three main female characters, Beatriz, is identified by her proclivity to hunt and her aversion to marry.
openaire +1 more source