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Una nueva edición de El encanto es la hermosura y El hechizo sin hechizo/La segunda Celestina
Bulletin of Hispanic Studies, 1997exaly +2 more sources
Las comedias del ciclo celestinesco Segunda comedia de Celestina y Comedia Selvagia
2017exaly +2 more sources
Bulletin of the Comediantes, 2008
This essay examines female agency and deviance in two key scenes of La segunda Celestina as an act of monstrosity, a term that figures in this context as a transgression of gender codes. One of the three main female characters, Beatriz, is identified by her proclivity to hunt and her aversion to marry.
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This essay examines female agency and deviance in two key scenes of La segunda Celestina as an act of monstrosity, a term that figures in this context as a transgression of gender codes. One of the three main female characters, Beatriz, is identified by her proclivity to hunt and her aversion to marry.
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Divadelní typ chvástavého vojáka v díle Feliciana de Silvy Segunda Celestina (1536)
2020This bachelor's thesis studies the speeches of a boastful soldier in the play of Feliciano de Silva Segunda Celestina. Based on his speeches, I found out how the researched subject of interest corresponds to this type of soldier and how it differs. The role model for my researched character was Spanish soldier Centurio.
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Algunas notas sobre la presencia de la «Tragicomedia» de Rojas en la «Segunda Celestina».
1984Sin ...
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Celestina as Parrhesiastes: Parrhesia and Truth in Celestina’s Visits to Melibea
Bulletin of Spanish Studies, 2020Luis F Lopez Gonzalez
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El encanto es la hermosura y el hechizo sin hechizo. La Segunda Celestina (review)
Bulletin of the Comediantes, 1996openaire +1 more source
: El encanto es la hermosura y el hechizo sin hechizo. La segunda Celestina
Renaissance Quarterly, 1998openaire +1 more source