Results 31 to 40 of about 376,349 (264)

Theatre Reviews

open access: yesMulticultural Shakespeare, 2014
The Taming of the Shrew, Globe to Globe. Dir. Haissam Hussain, 26-27 May 2012 Coriolanus, Edinburgh International Festival. Dir.
Thea Buckley, Saffron Walkling
doaj   +1 more source

Enhanced Online Grooming detection employing Context Determination and Message-Level Analysis

open access: yesIntelligent Systems with Applications
Online Grooming (OG) is a prevalent threat facing predominately children online, with groomers using deceptive methods to prey on the vulnerability of children on social media/messaging platforms.
Jake Street   +3 more
doaj   +1 more source

Copyright, Copyleft, and Shakespeare After Shakespeare [PDF]

open access: yes, 2017
Much critical ink has been spilled in defining and establishing the terms of discussion: appropriation, adaptation, off-shoot, recontextualization, riff, reworking, and so on have been used interchangeably or under erasure.
Sujata Iyengar
core   +1 more source

Physical Dramaturgy: An Embodied Approach to Exploring Shakespeare’s Text Through Devising and Collaborative Creation

open access: yesHumanities
This essay introduces an experiential process through which student actors can explore any Shakespearean play. Anne Bogart’s Viewpoints technique serves as the foundation for a creative process informed by devising exercises and physical composition.
Doreen Bechtol
doaj   +1 more source

User engagement, attitudes, and the effectiveness of chatbots as a mental health intervention: A systematic review

open access: yesComputers in Human Behavior: Artificial Humans
Background: In recent years, chatbots developed for mental health intervention purposes have been widely implemented to solve the challenges of workforce shortage and accessibility issues faced by traditional health services.
Sucharat Limpanopparat   +2 more
doaj   +1 more source

Social models of disability and other life strategies

open access: yesScandinavian Journal of Disability Research, 2009
The UK social model of disability (SSM) originated within a political context, which is both a strength and a weakness. Good social research has been conducted prior to, and outside, the confines of the SSM.
Tom Shakespeare
doaj   +1 more source

Shakespeare and Europe: History – Performance – Memory [PDF]

open access: yes, 2007
Shakespeare has been performed on European stages for over 400 years. English strolling players began coming to the Continent in the 1590s and brought with them Shakespeare´s dramas in abbreviated and adulterated forms.
Guntner, Lawrence
core  

Additional Dialogue by…Versions of Shakespeare in the World’s Multiplexes [PDF]

open access: yes, 2012
William Shakespeare has been part of the cinema since 1899. In the twentieth century almost a thousand films in some way based upon his plays were made, but the vast majority of those which sought to faithfully present his plays to the cinema audience ...
Paterson Ronan
core   +2 more sources

Shakespeare Transformed: Copyright, Copyleft, and Shakespeare After Shakespeare [PDF]

open access: yesActes des congrès de la Société française Shakespeare, 2017
Much critical ink has been spilled in defining and establishing terms for how we discuss versions of Shakespeare: appropriation, adaptation, off-shoot, recontextualization, riff, reworking, and so on have been used interchangeably or under erasure. This paper both examines the utility of such nice distinctions, and critiques existing taxonomies.
openaire   +2 more sources

‘Pre‐Technologies’ and the Lifeworld: Assistive Technologies as ‘Pre‐Technologies’ for Self‐Formation as Freedom

open access: yesJournal of Applied Philosophy, EarlyView.
ABSTRACT This article identifies assistive technologies (ATs) as ‘pre‐technologies’ mediating access to other technologies for disabled subjects (DSs). The motivation is to show that without ATs, DSs cannot be said to have the same level of access to freedom and self‐forming activities as able‐bodied subjects.
Sarel Marais
wiley   +1 more source

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