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Extraños compañeros de viaje: Cervantes y Mary Shelley
Anales Cervantinos, 2017 Miguel de Cervantes y Mary Shelley parecen, a priori, dos extraños compañeros de viaje. Pese a las evidentes divergencias entre la narrativa de ambos autores, la autora inglesa mostró un notable interés por la vida y obra de Miguel de Cervantes a lo ...
Alfredo Moro
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Shelley, Mary Wollstonecraft: Frankenstein: or, The Modern Prometheus
, 2020 W. Müller
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Integrated Journal for Research in Arts and Humanities, 2023 In the ever-evolving landscape of technology, Artificial Intelligence (AI) has emerged as a revolutionary force that continues to shape various aspects of our lives. From transforming industries to redefining how we interact with machines, AI's pervasive
Upakul Patowary
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Revenge as Seen in Mary Shelley’s Frankenstein; or, The Modern Prometheus
Cendekia, 2023 This research is to find out how revenge is revealed in Mary Shelley’s Frankenstein, or The Modern Prometheus. This research is qualitative since the data are in the form of words rather than numbers. The data were collected in the novel Frankenstein, or
Tini Mogea
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The Art of Gothic Literature: An Analysis of Mary Shelley's Frankenstein
International Linguistics Research, 2023 This article examines Mary Shelley's Frankenstein as an example of Gothic literature. The author analyzes the novel's themes, characters, and literary devices to explore how Shelley uses Gothic elements to create a complex and emotionally resonant work ...
Jihad Jaafar Waham
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Mary Shelley's The Last Man: Existentialism and IR meet the post-apocalyptic pandemic novel
Review of International Studies, 2022 Mary Shelley mined the ideas of international thought to help develop three new subgenres of modern political science fiction (‘poliscifi’): post-apocalyptic, existential, and dystopian. Her two great works of poliscifi, Frankenstein (1818), and The Last
E. Hunt
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Or, The Modern God: Biblical Allusions in Mary Shelley’s Frankenstein
Religions, 2022 Mary Shelley’s Frankenstein is largely organized around its explicit reference to Milton’s retelling of Genesis 2–3, Paradise Lost. Unfortunately, this reference to Milton has discouraged scholars from going back to the Old Testament itself. In fact, the
R. Kawashima
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