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Historias Fingidas, 2023 The contribution presents an ecofeminist analysis on Science Fiction and its relation to the political imaginary of a way out from the ecological crisis. Considering three novels from Mary Shelley, Margaret Atwood and Ursula K.
Caterina Diotto
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Patrząc na potwora – Frankenstein i film
Kwartalnik Filmowy, 2000 Heffernan bada popularność motywu Frankensteina w kulturze. Twierdzi, że zwyczaj traktowania kina głównie jako medium wizualnego powoduje, że akademiccy krytycy powieści Mary Shelley Frankenstein wykazują niewielkie zainteresowanie jej filmowymi ...
James A. W. Heffernan
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Cânone e mercado editorial: uma reflexão sobre a vitalidade de Frankenstein, de Mary Shelley
FronteiraZ, 2020 Este artigo tem como propósito apresentar ao leitor uma possibilidade de análise do romance Frankenstein ou o Prometeu Moderno (1818), de Mary Wollstonecraft Shelley (1797-1851), tendo como foco os paratextos da edição publicada pela DarkSide em 2017 ...
Eliane Aparecida Galvão Ribeiro Ferreira +1 more
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A Woman Haunted: How Graphic Biofiction Revises Mary Shelley’s Early Feminist Life
European Journal of Life WritingBiofiction, literature inspired by the life of real people and histories, has become a popular genre. Rarely, however, have graphic biographies been considered in connection to this rapidly emerging (academic) field. To work out these connections, I want
Maria Juko
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Viatica, 2016 History of a Six Weeks’ Tour is travel narrative written by Percy Bysshe Shelley and Mary Shelley in 1817 and raises two questions surrounding the literary authority and the collaborative creation of the work.
Anne Rouhette
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Body Speech and Cixous, Shelley and Queizán [PDF]
Pretendemos mostrar las analogías existentes entre las obras de Hélène Cixous, Mary Shelley y el pensamiento feminista de María Xosé Queizán. Trataremos el significado de cuerpo de las mujeres y cómo Cixous y Queizán lo identifican con la palabra ...
Fente, Elvira
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The Importance of Being “Ernest“ in Mary Shelley's Frankenstein: A Study in Literary Onomastics
Names, 2005 In Frankenstein, Mary Shelley utilizes the names of her characters to simultaneously distance the reader from the characters and to make ironic comparisons between the true identity of a character and the identity a character portrays.
Maria Palaeas
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Žižek’s “Frankenstein”: Modernity, Anti-Enlightenment Critique and Debates on the Left
Enrahonar: Quaderns de Filosofia, 2022 In this article, I examine Slavoj Žižek’s Freudian-Hegelian interpretation of Mary Shelley’s Frankenstein: or the Modern Prometheus (1818), and argue that Žižek’s critique of Shelley’s ambiguous and contradictory attitude toward the French Revolution ...
Jamil Khader
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Cahiers Victoriens et Edouardiens, 2010 Nineteenth-century science probed into the mystery of ice, from the structure of snowflakes to glaciers to Polar exploration. Literature reflects this attempt to understand the shifting nature of ice, a transparent yet deceptive—neither liquid nor truly ...
Catherine Lanone
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Extraños compañeros de viaje: Cervantes y Mary Shelley
Anales Cervantinos, 2017 Miguel de Cervantes y Mary Shelley parecen, a priori, dos extraños compañeros de viaje. Pese a las evidentes divergencias entre la narrativa de ambos autores, la autora inglesa mostró un notable interés por la vida y obra de Miguel de Cervantes a lo ...
Alfredo Moro
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