Results 31 to 40 of about 15,136,696 (252)

Patrząc na potwora – Frankenstein i film

open access: yesKwartalnik Filmowy, 2000
Heffernan bada popularność motywu Frankensteina w kulturze. Twierdzi, że zwyczaj traktowania kina głównie jako medium wizualnego powoduje, że akademiccy krytycy powieści Mary Shelley Frankenstein wykazują niewielkie zainteresowanie jej filmowymi ...
James A. W. Heffernan
doaj   +1 more source

El texto de terror en la novella Española del siglo XIX: espacios de circulación del poder*

open access: yesVerba Hispanica, 1993
Una cita de El paraíso perdido de Milton abre la obra de la escritora inglesa Mary Wollstonecraft Shelley Frankenstein (1818). lnglaterra prácticamente convertida en la primera potencia comercio-industrial en los incios de lo que se define como la ...
César de Vicente Hernando
doaj   +1 more source

Senses of the Ending

open access: yesHistorias Fingidas, 2023
The contribution presents an ecofeminist analysis on Science Fiction and its relation to the political imaginary of a way out from the ecological crisis. Considering three novels from Mary Shelley, Margaret Atwood and Ursula K.
Caterina Diotto
doaj   +1 more source

Cânone e mercado editorial: uma reflexão sobre a vitalidade de Frankenstein, de Mary Shelley

open access: yesFronteiraZ, 2020
Este artigo tem como propósito apresentar ao leitor uma possibilidade de análise do romance Frankenstein ou o Prometeu Moderno (1818), de Mary Wollstonecraft Shelley (1797-1851), tendo como foco os paratextos da edição publicada pela DarkSide em 2017 ...
Eliane Aparecida Galvão Ribeiro Ferreira   +1 more
doaj   +1 more source

A Woman Haunted: How Graphic Biofiction Revises Mary Shelley’s Early Feminist Life

open access: yesEuropean Journal of Life Writing
Biofiction, literature inspired by the life of real people and histories, has become a popular genre. Rarely, however, have graphic biographies been considered in connection to this rapidly emerging (academic) field. To work out these connections, I want
Maria Juko
doaj   +1 more source

« S. » ou « M. » ? Voyage et auctorialité dans Histoire d’un voyage de six semaines (1817), de Mary Shelley et Percy Bysshe Shelley

open access: yesViatica, 2016
History of a Six Weeks’ Tour is travel narrative written by Percy Bysshe Shelley and Mary Shelley in 1817 and raises two questions surrounding the literary authority and the collaborative creation of the work.
Anne Rouhette
doaj   +1 more source

Žižek’s “Frankenstein”: Modernity, Anti-Enlightenment Critique and Debates on the Left

open access: yesEnrahonar: Quaderns de Filosofia, 2022
In this article, I examine Slavoj Žižek’s Freudian-Hegelian interpretation of Mary Shelley’s Frankenstein: or the Modern Prometheus (1818), and argue that Žižek’s critique of Shelley’s ambiguous and contradictory attitude toward the French Revolution ...
Jamil Khader
doaj   +1 more source

Frankenstein [PDF]

open access: yes, 2022
Frankenstein; or, The Modern Prometheus (1818) is a novel written by English author Mary Shelley. The novel follows Victor Frankenstein, a young scientist who, using unorthodox scientific experiments, creates a sapient creature.
Shelley, Mary
core   +1 more source

The Mystery of “those icy climes” (Shelley 269): Literature, Science and Early Nineteenth-century Polar Exploration

open access: yesCahiers Victoriens et Edouardiens, 2010
Nineteenth-century science probed into the mystery of ice, from the structure of snowflakes to glaciers to Polar exploration. Literature reflects this attempt to understand the shifting nature of ice, a transparent yet deceptive—neither liquid nor truly ...
Catherine Lanone
doaj   +1 more source

The Importance of Being “Ernest“ in Mary Shelley's Frankenstein: A Study in Literary Onomastics

open access: yesNames, 2005
In Frankenstein, Mary Shelley utilizes the names of her characters to simultaneously distance the reader from the characters and to make ironic comparisons between the true identity of a character and the identity a character portrays.
Maria Palaeas
doaj   +1 more source

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