Results 111 to 120 of about 198 (159)
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Refamiliarizing Viktor Shklovsky
Victorian Literature and Culture, 2018My title is paradoxical, possibly wrong. Refamiliarizing means reintroducing the once known but since forgotten on the assumption that familiarity fosters understanding. The logic on view inheres in the root word, “familiar”: “known to a person from long or close association.” But Viktor Shklovsky (1893–1984), enfant terrible of the Russian Formalists ...
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Travelogue as Fact and Fiction – Karamzin and Shklovsky in Berlin
Kultur Und Soziale Praxis, 2007exaly +4 more sources
Letters from Shklovsky's "Zoo"
Russian Review, 1970I'm not going to write about love. I'm going to write only about the weather. The weather in Berlin is nice today. The sky is blue, the sun higher than the houses. The sun looks right into Pension Marzahn, into Aikhenvald's room.2 I live on the other side of the apartment building. Out on the street, it's nice and cool.
Richard Sheldon, null Shklovsky
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Shklovsky's "Zoo" and Russian Berlin
Russian Review, 1970I threw on the fire a rotten log, not noticing that the inside of it was densely populated with ants. The log began to split open; the ants tumbled out and ran to and fro in desperation. They ran up and down the surface of the log, writhing as the flames consumed them. I took hold of the log and rolled it to the edge of the fire.
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The Ethics of Estrangement in Shklovsky and Chaplin
Interdisciplinary Literary Studies, 2020AbstractThis article explores the interplay between Russian formalist aesthetic theory and the practice of American slapstick film. It proposes that Chaplin's early silent comedies both illustrate and influenced Viktor Shklovsky's concept of art as a means of estranging the world.
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Poetics Today
Abstract This essay presents Viktor Shklovsky's writings on Sergei Eisenstein's theatrical production The Wise Guy (Mudrets, 1923) as an embryo of an original theory of parody. The author offers a comparison of Shklovsky's concept of parody with theories of parody by a fellow Formalist Yuri Tynianov and Formalists’ opponent Mikhail ...
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Abstract This essay presents Viktor Shklovsky's writings on Sergei Eisenstein's theatrical production The Wise Guy (Mudrets, 1923) as an embryo of an original theory of parody. The author offers a comparison of Shklovsky's concept of parody with theories of parody by a fellow Formalist Yuri Tynianov and Formalists’ opponent Mikhail ...
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Sterne and Shklovsky, Revisited
Abstract This chapter revisits Viktor Shklovsky’s lifelong fascination with Laurence Sterne. It begins by examining the mixed reception of Shklovsky’s pamphlet Sterne’s ‘Tristram Shandy’ and the Theory of the Novel (1921), comparing how academic and creative circles responded to Shklovsky’s portrayal of Sterne.openaire +1 more source
2018
Born in St Petersburg, Russia, Victor Borisovich Shklovsky (or Shklovskii; Ви́ктор Бори́сович Шкло́вский) was a literary critic, autobiographical novelist, and a leading figure of Russian Formalism (1910–30). A charter founder of OPOYAZ (The Society for the Study of Poetic Language, 1917), he was also associated with the Moscow Linguistic Circle, and ...
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Born in St Petersburg, Russia, Victor Borisovich Shklovsky (or Shklovskii; Ви́ктор Бори́сович Шкло́вский) was a literary critic, autobiographical novelist, and a leading figure of Russian Formalism (1910–30). A charter founder of OPOYAZ (The Society for the Study of Poetic Language, 1917), he was also associated with the Moscow Linguistic Circle, and ...
openaire +1 more source