Results 121 to 130 of about 198 (159)
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Viktor Shklovsky and the Device of Ostensible Surrender
Slavic Review, 1975One frequently discussed problem in Western approaches to postrevolutionary Russian literature has been the temptation to identify “rebels against the system” and to praise their work out of proportion to its merits. Writers attacked in the Soviet Union for their heretical views have a good chance of being lionized in the West.
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Distortion and Theatricality: Estrangement in Diderot and Shklovsky
Poetics Today, 2006The article investigates some textual coincidences between Denis Diderot's major works on art and theater and the Formalist manifesto “Art as Device” by Victor Shklovsky. Acknowledging the accidental nature of these coincidences, I try to determine the common philosophical origins of the metaphors that aesthetics “lived by” in mid-eighteenth-century ...
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The Ethics and Aesthetics of Formalism: Shklovsky and Agee
Lit: Literature Interpretation Theory, 2012The claim … for the autonomy of the work of art—its freedom to “mean” nothing—does not rule out consideration of the effect or function of art, once it be granted that in this functioning of the ar...
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2012
Shklovsky: Witness to an Era is a blend of riotous anecdote, personal history, and literary reflection, collecting interviews with Viktor Shklovsky conducted by scholar Serena Vitale in the ’70s, toward the end of the great critic’s life, and in the face of interference and even veiled threats of violence from the Soviet government. Shklovsky’s answers
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Shklovsky: Witness to an Era is a blend of riotous anecdote, personal history, and literary reflection, collecting interviews with Viktor Shklovsky conducted by scholar Serena Vitale in the ’70s, toward the end of the great critic’s life, and in the face of interference and even veiled threats of violence from the Soviet government. Shklovsky’s answers
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Energeiaas Defamiliarization: Reading Aristotle with Shklovsky’s Eyes
Journal for the History of Rhetoric, 2021CARLOS Iglesias-Crespo
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