Rhétorique du témoignage, fiction des traces : voix et images de Sobibor [PDF]
, 2013 Dans le contexte de la représentation de l'horreur en Occident, la Shoah fut un tournant. Les diverses stratégies essayées depuis le mois d' avril 1945 lorsque les Alliés se heurterent aux images de l'inhumain révelent les dimensions du défi: si la ...
Sánchez-Biosca, Vicente
core
Criminal, Legal, and Ethical Kidney Donation and Transplantation: A Conceptual Framework to Enable Innovation. [PDF]
Transpl Int, 2022 Roth AE, Marino IR, Krawiec KD, Rees MA.
europepmc +1 more source
Clarice Lispector on Jewishness after the Shoah : a reading of ‘Perdoando Deus’ [PDF]
, 2018 Musch, Sebastian, Willem, Bieke
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Germany and Israel have not succeeded in turning their historical connection into a shared project around which a true friendship can form. [PDF]
, 2012 Felix Berenskoetter argues that a shared commitment to the memory of the Holocaust and to Israel’s right to exist has not formed a true friendship between Germany and Israel.
Berenskoetter, Felix
core
Psychological impact of the outbreak of COVID-19 on Holocaust survivors in France. [PDF]
Eur J Trauma Dissociation, 2022 Sarfati S +32 more
europepmc +1 more source
Reading the New Testament: Methods of Interpretation [PDF]
, 1988 Reviewed Book: Tuckett, C M. (Christopher Mark). Reading the New Testament: Methods of Interpretation.
Schlueter, Carol J.
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Special Issue: “Austrian Music Studies: Topics, Perspectives, Concepts”: Editorial Introduction [PDF]
Musicologica Austriaca, 2023 Federico Celestini
doaj
Hermann ("Hugh") Blaschko (1900-1993): Father of Catecholamine Metabolism. [PDF]
Cardiology, 2023 Taegtmeyer H +2 more
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Sombras de guerra: las imágenes cinematográficas de la Shoah [PDF]
, 2009 'Para saber, hay que imaginar[ ... ]. No invoquemos, pues, lo inimaginable'. Con este sutil, pero contundente, juego terminológico y conceptual entre imagen e imaginación abría Georges Didi-Huberman su audaz y polémico ensayo sobre el tópico de lo ...
Sánchez-Biosca, Vicente
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International Journal of Psychoanalysis and Education, 2012 Il cinema è memoria. Il cinema sulla Shoah, in particolare, è diventato il paradigma stesso della memoria. Nella prospettiva della dialettica tra memoria e oblio il discorso sulla memoria attraverso il cinema diventa quella grande mediazione, quello spazio di negoziazione delle tante rappresentazioni e della storia stessa.
openaire +3 more sources