Antimicrobial Resistance of <i>Salmonella</i> and Characterization of Two <i>Mcr-1</i>-Harboring Isolates from Pork Products in Guangdong, China. [PDF]
FoodsMai Z, Wei L, Shi C, Zhan Z.
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Assessing Hepatitis E Virus Seroprevalence among Slaughterhouse Workers in Western Saudi Arabia: Zoonotic Threats in Focus. [PDF]
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Granulomatous Omentitis in Multiple Sheep Associated With Trueperella pyogenes and Corynebacterium pseudotuberculosis: A Case Series. [PDF]
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Training in metagenomics-integrated risk assessment for food-borne pathogens in the Slovenian and Spanish meat chain (METAMEAT). [PDF]
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Occurrence of Moulds and Yeasts in the Slaughterhouse: The Underestimated Role of Fungi in Meat Safety and Occupational Health. [PDF]
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Productivity and Chemical-Bromatological Composition of Mombaça Grass Fertigated With Cattle Slaughterhouse Effluent With and Without Disinfection With Peracetic Acid. [PDF]
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Abstract: This essay traces slaughterhouse intimacies, sites of material entanglement between and among species, gender, race, sexuality, and reproduction. The phrase may seem paradoxical: the slaughterhouse is a line of death and dismemberment; intimacy connotes vital connection, private interiority.
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Script: William Shakespeare. Staging and adaptation: Tue Biering. Dramaturg: Mathias Rosenkrands Bech. Set and costume design: Nicolaj Spangaa and Marie Rosendahl Chemnitz. Composer: Daniel Fogh. Sound design: Kim Malmose. Lighting design: Simon Holmgren. Cast: Frank Thiel, Kristoffer Helmuth, Benjamin Kitter, Klaus T.
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