Results 1 to 10 of about 4,064 (189)
Attention Control and Audiomotor Processes Underlying Anticipation of Musical Themes while Listening to Familiar Sonata-Form Pieces. [PDF]
Li CW, Tsai CG.
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This article discusses Leopoldo Miguez’s symphonic poem Prometheus, op. 21 and its programmatic and structural aspects. Firstly, it addresses the programme, where the central character is Prometheus, and its representation in the music.
Norton Dudeque
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Sonata Form in the Nineteenth-Century Symphony
This paper presents an analytical survey of 283 symphonies dating from 1800–1899. Features of full symphonies include the rate of compositional output over the course of the century, the number, order, and keys of movements, and the prevalence of sonata ...
Steven Craig Cannon
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A BRIEF HISTORY OF THE SONATA FORM (I) THE BAROQUE SONATA
In this short study, we aim to define the typologies of the sonata form in the music of the Baroque period, alongside the perspective of some well-known authors (Charles Rosen, James Webster or William Newman) and to propose two analyses – the Sonata in ...
Emanuela-Fabiola PRIP
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Hypermetrical Irregularity in Sonata Form: A Corpus Study
In sonata form, development sections are characterized by tonal, textural, and phrase-structural instability. But are these instabilities counterbalanced by regularity in other musical domains?
Jonathan De Souza, David Lokan
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Predictive coding has emerged as a key framework for analyzing music listeners’ behavior and experiences. However, the simplicity of stimuli in empirical research frequently fails to reflect the multifaceted complexity of real-world music, potentially ...
Chen-Gia Tsai
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Rotationsprinzip und synthetische Reprisenfunktion im Klavierkonzert des späten 18. und frühen 19. Jahrhunderts [PDF]
James Hepokoski und Warren Darcy haben in Elements of Sonata Theory ein Konzertsatzmodell vorgelegt, das hinsichtlich der formalen Disposition von einem Primat des Sonatensatzes ausgeht. Ihre Interpretation der Konzertsatzform als »Type 5 Sonata« basiert
Pascal Schiemann
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Franz Liszt’s Early Formal Excursions
Franz Liszt reformulated the Classical sonata form by coalescing the structures of a single movement and a multimovement cycle into a two-dimensional sonata form.
Heyner Francisco Rodriguez Solis
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Schumann’s Fantasy Op. 17 and the Strange Case of the Supertonic Sonata
This paper explores some fresh angles (Schenkerian and sonata-formal) on one of Schumann’s most famously intractable works. In the process it draws some larger conclusions regarding Schumann's paradoxical relationship to sonata form and Schenkerian ...
Boyd Pomeroy
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Program, Tonality, and Sonata Deformation in Leopoldo Miguéz’s Symphonic Poems
The aim of this text is to address Leopoldo Miguéz (1850–1902) approach to sonata form in his three symphonic poems. Each one of these works presents a different approach to the rhetorical musical discourse of sonata form and a specific “deformation” of
Norton Dudeque
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