Results 11 to 20 of about 4,102 (225)
Elliott Carter's Analysis of his Piano Sonata (1945-46)
In 1948, Elliott Carter penned an analysis of his Piano Sonata for Edgard Varèse. His analysis of the first movement, in particular, makes one ask why Carter did not subsume its recurrent two-tempo structure under “first group” of its sonata form ...
Ira Braus
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AbstractDespite an ever-expanding body of literature on Adès's engagement with the music of the past, his use of traditional formal models has attracted little critical comment. That which does exist privileges the relatively straightforward surface articulation of his musical forms over more nuanced accounts.
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Commentary on De Souza and Lokan (2019)
This contribution is a brief commentary on the paper "Hypermetrical Irregularity in Sonata Form: A Corpus Study" by Jonathan De Souza and David Lokan.
Jan Miyake
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Issues concerning relations between the parts for two instruments and is effect on the tone form in the course of development of the form are discussed in the article.
Maryla RENAT
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The Lyrical Themes of Neukomm’s Piano Sonata in G (1819)
Determining the location of the secondary theme group within a Classical sonata-form exposition relies on taking into account the interplay of disparate musical elements.
L. Poundie Burstein
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On the intermediality of the Lesya Ukrainka essay "Loud strings"
Intermediate approach allows to comprehend the text of Lesya Ukrainka's essay "Loud strings" as an original experiment. The novelty of the research lies in considering the composition of the essay as a sonata form (sonata allegro). As in the sonata form,
Olha Kalenichenko
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Meso-Crowned Porphyrin as a Dual Cavity Hybrid Macrocycle for Improving the Efficiency and Stability of Perovskite Solar Cells. [PDF]
This study demonstrates a dual‐functional porphyrin‐based passivation molecule, [12]‐C‐4POR, capable of simultaneously coordinating Pb2+ and Li+ ions through its porphyrin core and crown ether moiety, respectively. This molecule effectively reduces trap‐state density, suppresses non‐radiative recombination, and mitigates Li+ migration at the perovskite/
Ans M +8 more
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SONATA NO. 1 FOR ACCORDION WITH BUTTONS BY NIKOLAI CEAIKIN: MORPHOLOGY, SYNTAX AND INTERPRETATION [PDF]
This article presents the analysis of the musical language and interpretation problems of Sonata No.1 in h-minor for accordion with buttons signed by the Russian composer Nikolai Ceaikin and dedicated to the accordionist virtuoso Nikolai Rizol who ...
CALMÎȘ DUMITRU
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Learning Sonata Form Structure on Mozart’s String Quartets
The musical analysis of large-scale structures, such as the classical sonata form, requires to integrate multiple analyses of local musical events into a global coherent analysis.
Pierre Allegraud +6 more
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