Results 11 to 20 of about 230 (126)

Stanley Cavell, Classical Hollywood and the Constitution of the Ordinary (With Notes on Billy Wilder)

AM: Art + Media, 2016
When in his Tanner lectures Stanley Cavell sets out to define Ordinary Language Philosophy or – rather – to explain how it demarcates philosophy as such, he takes up psychoanalytic literary criticism in order to articulate the terms of this task. Yet the
Tatjana Jukić
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DOWNPOUR : FRAMES, FEELINGS AND FILE TYPES

Studies in Arts and Humanities, 2020
The Form of the WorkThe ontological fact that actions move within a dark and shifting circle of intention and consequences, that their limits are our own, that the individual significance of an act (like that of a word) arises in its being this one ...
Barnaby Taylor
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“Epistemological Reading”: Stanley Cavell’s Method of Reading Literature [PDF]

The Polish Journal of Aesthetics, 2016
Not many readers will recognize Disowning Knowledge: Seven Plays of Shakespeareby Stanley Cavell as either a piece of philosophical writing or literary criticism, so it may be useful to ask what method Cavell uses to read literature, what are the main ...
Magdalena Filipczuk
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Cliché, Irony and the Necessity of Meaning in Endgame and Infinite Jest

Forum, 2014
With reference to the work of the ordinary language philosopher Stanley Cavell, this essay argues that David Foster Wallace’s 1996 novel Infinite Jest deploys cliché to expose the workings of ironic language in a way that is complementary to a similar ...
James Cetkovski
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‘Yours truly saying with an invisible voice’: W. S. Graham's Smalltalk

, 2023
Critical Quarterly, Volume 65, Issue 4, Page 105-123, December 2023.
Jack Barron
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Stanley Cavell and Film: Scepticism and Self-Reliance at the Cinema, by Catherine Wheatley

Alphaville: Journal of Film and Screen Media, 2021
Stanley Cavell and Film is Catherine Wheatley’s entry in Bloomsbury’s “Film Thinks”, a series dedicated to explorations of cinema’s influence on thinkers such as Noël Carroll, Roland Barthes and Georges Didi-Huberman.
Glen W. Norton
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Stanley Cavell y el debate sobre la "nueva música" : razones y sinrazones de un desencuentro

Brocar. Cuadernos de investigación histórica, 2012
Examinaremos las críticas dirigidas por el filósofo Stanley Cavell (hoy más conocido como teórico del cine), en algunos de sus textos tempranos, contra ciertas prácticas de la vanguardia musical de los años 60.
David Díaz Soto
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Logic and Voice

Journal for the History of Analytical Philosophy, 2021
In this paper, I aim to reconstruct and discuss Stanley Cavell’s interpretation and critique of analytic philosophy. Cavell objects to the tradition of analytic philosophy that, in its eagerness to provide abstract, theoretical reconstructions, it has ...
Espen Hammer
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Kinomaniacy, pedanci i sekrety pamięci

Kwartalnik Filmowy, 2016
Jest szczególna grupa kinomanów, czy może raczej kinomaniaków, którzy analizują filmy klatka po klatce w poszukiwaniu najmniejszych błędów. Są to na ogół niezauważalne gołym okiem detale. Ich tropiciele zapominają, że kino w ogóle jest oszustwem. Tworzy
Marcin Giżycki
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The aesthetic judgment “This is art” in Stanley Cavell and Thierry de Duve

Journal of Aesthetics & Culture, 2021
Stanley Cavell and Thierry de Duve have independently proposed that judgments of the type “This is art” are aesthetic judgments, to be understood along the lines of Kant’s analysis of the judgment of taste.
Pioter Shmugliakov, Alma Itzhaky
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