Results 41 to 50 of about 76,597 (231)
Contextualizing the Cappella Cesi: Sangallo, Façades, and Renaissance Collaboration
Renaissance Studies, EarlyView.Abstract This article reframes Antonio da Sangallo the Younger's oft‐overlooked cappella Cesi nave façade in Santa Maria della Pace not as an isolated design deviation but as part of a broader architectural and artistic conversation among major players in early sixteenth‐century Rome.
Alexis Culotta
wiley +1 more source
‘I'm Dead!’: Action, Homicide and Denied Catharsis in Early Modern Spanish Drama
Renaissance Studies, EarlyView.Abstract In early modern Spanish drama, the expression ‘¡Muerto soy!’ (‘I'm dead!’) is commonly used to indicate a literal death or to figuratively express a character's extreme fear or passion. Recent studies, even one collection published under the title of ‘¡Muerto soy!’, have paid scant attention to the phrase in context, a serious omission when ...
Ted Bergman
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Fury and the antitheatrical prejudice: The violent power of play‐acting in the Cervantine picaresque
Orbis Litterarum, Volume 81, Issue 1, Page 11-26, February 2026.Abstract The article studies a cross‐generic relation between theatrical performance and the outbreak of violence in picaresque contexts across works by Miguel de Cervantes. It then proceeds to contextualize these persistent incidents within the philosophical history of antitheatricality.
Rasmus Vangshardt
wiley +1 more source
La intervención teórica en el proceso creativo: Devenires trans y teorías de género
El Peldaño, 2023 Este trabajo es el resultado de la revuelta que causó y causa en nuestras mentes el acercamiento a las nuevas teorías de género que nos ofreció el tránsito por la materia Teorías de la comunicación artística, de la Maestría en Teatro de la UNICEN, a ...
Paula Echalecu +3 more
doaj
Teatro – Descripción del teatro
, 2022 1 separador y 1 ficha que forman unidad. El separador lleva por título “Descripción del teatro”. En el separador se anota “Tertulia va a centros culturales” y el vuelto repite la misma información. El conjunto recoge los versos de agradecimiento de Cubillo de Aragón al rey por haberle dado 15 doblones.
Menéndez Pidal, Ramón (1869-1968) +2 more
openaire +1 more source
Educação e Teatro na Cadeia: Práticas pedagógicas realizadas no Sistema Penitenciário da Papuda/DF
Urdimento, 2020 Este trabalho relata algumas práticas pedagógicas realizadas nas oficinas de teatro com internos do Sistema Penitenciário da Papuda, no Distrito Federal.
Janilce Rodrigues
semanticscholar +1 more source
JAPAN ARCHITECTURAL REVIEW, Volume 9, Issue 1, January–December 2026.ABSTRACT In the 17th‐century Louvre expansion project, many architects used free‐standing columns, domes and large pediments for its east elevation. These elements helped give the elevation, over 150 m wide, the monumentality the court wanted, while also providing the appropriate articulation. Bernini was probably the only architect who did not use any
Taro Endo
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Naming the Wolves: Consumer Credit and Rentier Financialisation on the Brazilian Periphery
Antipode, Volume 58, Issue 1, January 2026.Abstract Recent social policy in Brazil has centred on a vision for financial inclusion that claims to alleviate poverty through credit‐based consumption. We argue that, contrary to these claims, Brazil's consumer credit boom has entrenched a financialised macroeconomic model in which debt and rentierism have become motors of the national economy ...
Jessica Sklair +2 more
wiley +1 more source
Nóema, 2016 Chi si occupa di teatro incontra il gioco innanzitutto come una categoria estetica insita nei processi che caratterizzano l’atto teatrale. Ma dall’approfondimento di tali meccanismi emerge anche la potenzialità conoscitiva del gioco, come condizione ...
David Beronio
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On Emerging British‐Latinx Art: The Case of Art Ubicua
Bulletin of Latin American Research, Volume 45, Issue 1, January 2026.ABSTRACT The historicisation of Latinx art has been consolidated as a field of study in the United States. While categorising art by specific communities or geographic regions can sometimes marginalise artists, such classifications have also opened up opportunities in spaces that might otherwise remain exclusive and inaccessible.
Clara Garavelli
wiley +1 more source