Behavioral Phenotyping of Arts Engagement Using 20 Years of the American Time Use Survey. [PDF]
Ann N Y Acad SciBone JK, Bu F, Sonke JK, Fancourt D.
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Conceptualising Supply Chain Resilience Within Social Enterprises
Business Strategy and the Environment, EarlyView.ABSTRACT This research seeks to conceptualise supply chain resilience (SCRes) in a social enterprise (SE) context, focusing on SEs with a social mission to tackle food insecurity and food poverty. Despite the increasingly mature field of SCRes and awareness of the critical role SEs play in tackling social challenges such as food poverty, no studies ...
Alexander James Jones +3 more
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Patterns of Playing-Related Musculoskeletal Disorders Among Bangladeshi Tabla Players: A Descriptive Cross-Sectional Study. [PDF]
CureusHasan MI +5 more
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Psychosocial risk factors for injury in performing artists: A scoping review of screening and assessment instruments. [PDF]
PLoS OneCahalan R +6 more
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A comparison of transient experiential wellbeing across health enhancing behaviours in the American Time Use Survey. [PDF]
Sci RepBone JK, Bu F, Sonke JK, Fancourt D.
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Recovery through creativity: a study into lived experiences of participants in Dutch arts-based recovery initiatives. [PDF]
Front Public HealthBoumans J, Oderwald A, Kroon H.
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Toward a Performing Arts Medicine Definition of Performing Arts
Medical Problems of Performing Artists, 2009As the Performing Arts Medicine Association (PAMA) celebrates its 20th anniversary this year, it seems to be a good time to discuss a definition of what the field includes—and, by extension, what it doesn't include. Some may think that this might not be the best use of our time, since we have done pretty well so far without a written definition of the
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Egyptian Art—A Performing Art?
2007In the relief's on the Lisht block, the humans seem to perform their everyday-life tasks as if they were priestly functions, and the animals, although as stirringly alive as all creatures in ancient Egyptian art, are treated as if they were hieroglyph-like single figures, or groups of figures, rather than interacting partners in a lively narrative. All
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here is no agreement as to where, when, and why performance art was invented. I take this as an opening to advance my theory, which has appeared gradually to me through the murk over the last two decades, during which time I 2 have established and piloted Franklin Furnace.
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