Results 11 to 20 of about 150,903 (210)
"Wer wagt hier Theorie zu fordern": aspects théoriques du timbre chez Arnold Schönberg
Aisthesis, 2014 Schönberg’s Harmonielehre finishes on the evocation of the melody of timbre (Klangfarbenmelodie). The aim of this article is to analyse the function of timbre in relation to musical theory by establishing a parallel between the positions expressed by ...
Frédéric de Buzon
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Singing-Voice Timbre Evaluations Based on Transfer Learning
Applied Sciences, 2022 The development of artificial intelligence technology has made it possible to realize automatic evaluation systems for singing, and relevant research has been able to achieve accurate evaluations with respect to pitch and rhythm, but research on singing ...
Rongfeng Li, Mingtong Zhang
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Comparison of input devices in an ISEE direct timbre manipulation task [PDF]
, 1996 The representation and manipulation of sound within multimedia systems is an important and currently under-researched area. The paper gives an overview of the authors' work on the direct manipulation of audio information, and describes a solution based ...
Eaglestone, Barry, Vertegaal, Roel
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Timbre as an Elusive Component of Imagery for Music
Empirical Musicology Review, 2007 Evidence of the ability to imagine timbre is either anecdotal, or applies to isolated instrument tones rather than timbre in real music. Experiments were conducted to infer the vividness of timbre in imagery for music.
Freya Bailes
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Poetics of hypertimbralism in music
Proceedings (European Academy of Sciences and Arts), 2022 My presentation is an attempt to introduce and clarify an original concept which I called Hypertimbralism, that refers to music based on Hypertimbre as the foundation for musical composition.
Livia Teodorescu-Ciocanea
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Neural and behavioral investigations into timbre perception
Frontiers in Systems Neuroscience, 2013 Timbre is the attribute that distinguishes sounds of equal pitch, loudness and duration. It contributes to our perception and discrimination of different vowels and consonants in speech, instruments in music and environmental sounds.
Stephen Michael Town +1 more
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Pitch and timbre interfere when both are parametrically varied. [PDF]
PLoS ONE, 2014 Pitch and timbre perception are both based on the frequency content of sound, but previous perceptual experiments have disagreed about whether these two dimensions are processed independently from each other. We tested the interaction of pitch and timbre
Valeria C Caruso, Evan Balaban
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How vocal timbre impacts word identification and listening effort in traffic-shaped noises [PDF]
JASA Express LettersThis study investigated how variation in vocal timbre (e.g., neutral and twangy) influences intelligibility and listening effort in traffic-shaped noises.
Tzu-Pei Tsai, Tessa Bent, Malachi Henry
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Discrimination of timbre in early auditory responses of the human brain. [PDF]
PLoS ONE, 2011 BACKGROUND: The issue of how differences in timbre are represented in the neural response still has not been well addressed, particularly with regard to the relevant brain mechanisms.
Jaeho Seol +5 more
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Electrophysiological Correlates of Vocal Emotional Processing in Musicians and Non-Musicians
Brain Sciences, 2023 Musicians outperform non-musicians in vocal emotion recognition, but the underlying mechanisms are still debated. Behavioral measures highlight the importance of auditory sensitivity towards emotional voice cues.
Christine Nussbaum +2 more
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