Results 31 to 40 of about 50,595 (176)
DAPesquisa, 2018 O presente trabalho tem como objetivo propor uma forma de memorização de música contemporânea para performance, mais especificamente, da “Máquina de Escrever” (Mini-Suite das Três Máquinas), de Aylton Escobar.
Bibiana Maria Bragagnolo
doaj +1 more source
Interpretable timbre synthesis using variational autoencoders regularized on timbre descriptors
Proceedings of the International Conference on Digital Audio Effects, DAFx, 2023 Controllable timbre synthesis has been a subject of research for several decades, and deep neural networks have been the most successful in this area. Deep generative models such as Variational Autoencoders (VAEs) have the ability to generate a high-level representation of audio while providing a structured latent space.
Natsiou, Anastasia +2 more
openaire +4 more sources
Ars Informatica -- Ars Electronica: Improving Sonification Aesthetics [PDF]
, 2005 In this paper we discuss æsthetic issues of sonifications. We posit that many sonifications have suffered from poor acoustic ecology which makes listening more difficult, thereby resulting in poorer data extraction and inference on the part of the ...
Vickers, Paul
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A first investigation into the effectiveness of Tactons [PDF]
, 2005 This paper reports two experiments relating to the design of Tactons (or tactile icons). The first experiment investigated perception of vibro-tactile "roughness" (created using amplitude modulated sinusoids), and the results indicated that roughness ...
Brewster, S.A. +2 more
core +3 more sources
Timbre space as synthesis space: towards a navigation based approach to timbre specification [PDF]
, 2008 Much research into timbre, its perception and classification over the last forty years has modelled timbre as an n-dimensional co-ordinate space or timbre space, whose axes are measurable acoustical quantities (variously, spectral density, simultaneity ...
Holland, Simon +2 more
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The gray matter volume of the amygdala is correlated with the perception of melodic intervals: a voxel-based morphometry study [PDF]
, 2014 Music is not simply a series of organized pitches, rhythms, and timbres, it is capable of evoking emotions. In the present study, voxel-based morphometry (VBM) was employed to explore the neural basis that may link music to emotion.
A Lamont +68 more
core +5 more sources
Music and Speech in Auditory Interfaces: When is One Mode More Appropriate Than the Other? [PDF]
, 2005 A number of experiments, which have been carried out using non-speech auditory interfaces, are reviewed and the advantages and disadvantages of each are discussed.
Alty, James +2 more
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Frontiers in Psychology, 2016 This paper investigates the role of acoustic and categorical information in timbre dissimilarity ratings. Using a Gammatone-filterbank-based sound transformation, we created tones that were rated as less familiar than recorded tones from orchestral ...
Kai eSiedenburg +3 more
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El verso libre en “Poemas de la yolatría” de Suenan timbres de Luis Vidales
Estudios de Literatura Colombiana, 2020 Este artículo estudia los elementos que configuran el verso libre en la sección “Poemas de la yolatría” de Suenan timbres de Luis Vidales desde el enfoque teórico de la versología moderna.
Luis Eduardo Lino Salvador
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Stephen Davies on the Issue of Literalism [PDF]
, 2017 In this paper I discuss Stephen Davies’s defence of literalism about emotional descriptions of music. According to literalism, a piece of music literally possesses the expressive properties we attribute to it when we describe it as ‘sad’, ‘happy’, etc ...
Ravasio, Matteo
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