Results 41 to 50 of about 50,595 (176)
O conceito timbre no piano: perspectivas de cinco pianistas pós-graduandos
Este estudo teve por objetivo investigar como pianistas em nível de pós-graduação compreendem, explicam e produzem diferentes timbres no piano em obras dos séculos XX e XXI. Foram delineados dois estudos.
Nayane Nogueira Soares
doaj +1 more source
Allocation dynamics is a work for 4 instruments or voices with live computer-generated animation. The animation is projected onto a screen on-stage behind the performers.
Fells, Nick
core
Musical Instrument Timbres Classification with Spectral Features
A set of features is evaluated for recognition of musical instruments out of monophonic musical signals. Aiming to achieve a compact representation, the adopted features regard only spectral characteristics of sound and are limited in number.
Agostini Giulio +2 more
doaj +1 more source
GASP: Guitars with ambisonic spatial performance [PDF]
‘Guitars with Ambisonic Spatial Performance’ (GASP) is an ongoing project where our expertise in surround sound algorithmic research is combined with off-the-shelf hardware and bespoke software to create a spatial multichannel surround guitar performance
Callister, Joe +4 more
core +1 more source
Música brasileira contemporânea para traverso
Sons do passado têm sido cada vez mais utilizados na música contemporânea em várias partes do mundo. No Brasil, alguns compositores experimentam esses timbres diferenciados ao estreitar parcerias com músicos especialistas em instrumentos do período ...
Geisa Cerqueira Felipe
doaj +1 more source
A Critical Analysis of Synthesizer User Interfaces for Timbre [PDF]
In this paper, we review and analyse categories of user interface used in hardware and software electronic music synthesizers. Problems with the user specification and modification of timbre are discussed.
Holland, Simon +2 more
core
Disembodiment: Reproduction, Transcription, And Trace [PDF]
This article poses the question, what is so great about the body? Recent scholarship has emphasized the concept of an embodied cognition and reminded us of the significance of embodiment in musical performance.
Aaron Einbond +8 more
core +1 more source
ALEA III, Millennium Project 1950 - 1960, March 23, 1996 [PDF]
This is the concert program of the ALEA III, Millennium Project 1950 - 1960 performance on Saturday, March 23, 1996 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts.
School of Music, Boston University
core
Analyzing the Safeguarding Our Communities Act: Patch for Patch Return Policy in Ontario
Fentanyl is prescribed to patients suffering from severe chronic pain. Transdermal patches are the best mode of delivery for patients who have developed tolerance for opioids.
Soo-Min Kim
doaj
The Happy Xylophone: Acoustics Affordances Restrict An Emotional Palate
In many ways, the structure of music resembles that of language, including the acoustic cues used to communicate emotion. In speech, sadness is imparted through a combination of low fundamental frequency, dark timbre, and a slow rate of articulation.
Michael Schutz +3 more
doaj +1 more source

