Results 11 to 20 of about 538,826 (310)
The Work of Tragic Productions: Towards a New History of Drama as Labor Culture [PDF]
, 2014 Preliminary analysis of the representation of laborers in Greek tragedy and satyr ...
David Roselli
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Translation and Community in the work of Elizabeth Cary [PDF]
, 2014 Explores the role of female community within Elizabeth Cary\u27s translations and her play, The Tragedy of ...
A Shell +25 more
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Towards the Theatre: Opasnyi Povorot (Dangerous Corner). The 1939 Production by G.M. Kozintsev at the Leningrad Comedy Theater [PDF]
Художественная культураThe subject of this research is the first production in a series of theatrical works by G.M. Kozintsev (1905–1973) of the late 1930s — early 1950s, which are fundamentally important both in his creative biography and in the history of Soviet theatre of ...
Margolit Eugene Ya.
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The City Between Genre and Authorship in All’s Well That Ends Well
Romanian Journal of English Studies, 2023 In this paper, I analyse the construction of the city as an ideological space in All’s Well that Ends Well which, I argue, generates the play’s genre ambiguity.
Cheaptanaru Gabriela
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Introduction : « La Duchesse d’Amalfi, des humeurs baroques à une passion moderne ? »
Sillages Critiques, 2019 Webster’s tragedy, The Duchess of Malfi (1613), shows the weight of the fourteen-century-old Greek conception of compelling passions motivated by « humours », especially the black humour or melancholy.
Gisèle Venet
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The Evil of Nature and the Corona Tragedy: Re-Reading Hamartia in Poetics [PDF]
Comparative Theology, 2020 Extended AbstractTo explain the effects of tragedy on the audience, Aristotle refers to the fear and compassion conveyed to them following the protagonist’s unfortunate fate.
Alireza Aram
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Sillages Critiques, 2016 In the plays of Edward Albee, the animal – or as Jacques Derrida would say, the animot – can only be approached indirectly: in The Zoo Story, Jerry is haunted by the glaring eyes of a dog and a whiff of bestiality pervades the stage of The Goat. In their
Valentine Vasak
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Private is (not) public: About Antigone’s mourning voice and its echo in Hegel and Kierkegaard [PDF]
Filozofija i Društvo, 2013 This paper presents a rereading of the interpretations of Antigone by Hegel and Kierkegaard on the grounds of research of Sophocles’ text and its performance in Athenian theatre in the context of socio-political climate of the fifth century Athens ...
Stevanović Lada
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Polariser l'écart : la mise en scène du décalage dans Fram de Tony Harrison
Sillages Critiques, 2011 Polar opposites: discrepancy in Tony Harrison's Fram: Proud of his origins, Tony Harrison blends in his work the memory of his working-class background and of the vast literary tradition he descends from, from Greek tragedy to Shakespeare or Keats.
Catherine Lanone
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The Tragedy Zone: Ableism in Entertainment [PDF]
, 2018 Ableism, or discrimination towards individuals with disabilities, is pervasive in our society. The entertainment world and the media are largely responsible for shaping the way the general public views minority groups.
Linnea Sumner
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