Results 21 to 30 of about 510,125 (202)
Infrapolitics at the end of aesth-ethics: On Alberto Moreiras’ recent work [PDF]
Filozofija i Društvo, 2023 In this paper I will offer a reading of Alberto Moreiras’ recently published books, but within the context of his life’s work as a whole: which I will consider from the point of view of a questioning of the idea of the time/ history difference ...
Matos Jaime Rodríguez
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Gogol’s “The Government Inspector” as a Сomedy-Tragedy: On the Problem of Genre [PDF]
Два века русской классикиThe article examines Gogol’s apology for laughter in “Theatrical Travel After the Presentation of a New Comedy” (1836–1842). Gogol’s paradigmatic words that the only “honest, noble face” in “The Government Inspector” is laughter are considered in the ...
Igor A. Vinogradov
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Tragic prototypes and their evolution in classical Chinese works
Trans/Form/AçãoClassical tragedy in China, as a unique literary form, embodies the nation’s cultural spirit and possesses profound historical heritages and distinctive aesthetic value.
Yunpeng Zhang
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Infection and Catharsis: From «Consanguineous Infections» to «Emotive Infections»
DNA Di Nulla Academia, 2020 This essay observes, in the light of dramatic paradigms, the use of the symbolic imagery of infection/contamination in relation to the ‘phraseology’ and theorising of catharsis (purgation, purification), employed and especially elaborated by the ...
Elisabetta Selmi
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Towards the Theatre: Opasnyi Povorot (Dangerous Corner). The 1939 Production by G.M. Kozintsev at the Leningrad Comedy Theater [PDF]
Художественная культураThe subject of this research is the first production in a series of theatrical works by G.M. Kozintsev (1905–1973) of the late 1930s — early 1950s, which are fundamentally important both in his creative biography and in the history of Soviet theatre of ...
Margolit Eugene Ya.
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Criticón, 2020 In this paper, we propose a comparative study of two pieces of Lope de Vega: El testimonio vengado, 1600, and El castigo sin venganza, 1631. Written far off in time, these pieces have many motifs in common.
Teresa Rodríguez
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Mitul Electrei în reprezentări scenice / Electra’s Myth in Theatre Representations [PDF]
Incursiuni în imaginar, 2016 In time, Electra’s myth inspired many authors, resulting in remarkable literary works, adapting the “story” according to the patterns or the spirit of age.
Gabriela Chiciudean
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Demography and the tragedy of the commons
, 2010 Individual success in group-structured populations has two components. First, an individual gains by outcompeting its neighbors for local resources. Second, an individual's share of group success must be weighted by the total productivity of the group ...
Alexander +48 more
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Fyodor Sologub on the Theater and Tragedy [PDF]
Studia Litterarum, 2019 The article examines the development of Fyodor Sologub’s views on the nature and aims of the theater. The focus is on the little known critical sketches by Sologub that he regularly published in the weekly magazine Teatr i Iskusstvo weekly from 1912 to ...
Galina V. Petrova
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