Results 11 to 20 of about 13,014 (213)

I trovatori come fondamento dell'identità occitana: la linea Jaufré Rudèl-Jean de Nostredame-Frédéric Mistral

open access: yesLengas, 2016
Cette contribution souhaite enquêter sur la place occupée par les troubadours dans la défense et l’illustration d’une langue progressivement minorisée. L’enquête menée sans prétention d’exhaustivité, a pour objet la création du mythe du troubadour Jaufré
Gilda Caiti-Russo
doaj   +1 more source

Elvira Lopez, her ‘Peom’ and her ‘Maeta’: on two satirical “Cantigas” by Joao Garcia de Guilhade

open access: yesTexto Poético, 2020
Portuguese troubadour Joao Garcia de Guilhade attended the court of Afonso X, and was among the troubadours that composed “cantigas” on the “soldadeiras” – women who took part in the troubadour spectacle, and were privileged targets of satirical ...
Henrique Marques Samyn
doaj   +1 more source

Troubadours & Troublemakers: Stirring the Network in Transmission & Anti-Transmission

open access: yesHumanities, 2017
With reference to concepts developed in Trouble Songs: A Musicological Poetics, our objective is to locate trouble (and “trouble”) in and around song, while attending to media forms, transmission processes, and embodied figures that carry trouble through
Jeff T. Johnson
doaj   +1 more source

…e fon sazos/Que per un gan/Er’hom bautz e ioios !

open access: yesRevue des Langues Romanes, 2020
The subject of a gift is well-known to the specialists in troubadour poetry. The Lady delivers the troubadour some of her private belongings: a ring, a brooch, a glove or a cordo, as areward for his faithful service and the adulations expressed in his ...
Isabel de Riquer
doaj   +1 more source

Провансальские влияния в испано-португальской кантиге

open access: yesВестник музыкальной науки, 2014
Статья посвящена кантиге галисийско-португальских трубадуров - песенному жанру эпохи Средневековья, сформировавшемуся под воздействием творчества провансальских трубадуров.
Жалеева, Рената Раильевна   +1 more
doaj   +1 more source

Classically black [PDF]

open access: yes, 2018
This master’s report will revisit Saidiya Hartman’s account of how to 1) combat violence found in the archives and 2) mitigate silences imposed on marginalized bodies in her essay, “Venus in II Acts.” This work contributes to public musicology because it
Taylor, X'ene S.
core   +1 more source

О героях и героинях лирико-психологической драмы западноевропейского романтизма: Азучена («Трубадур»)

open access: yesВестник музыкальной науки, 2018
Искусство XIX в. породило несколько типов литературного и сценического героя. Как отражение внутреннего «Я» самого ро мантического художника такой герой обрел не только новые портретные черты, но и в некотором смысле новые драматургические обязанности ...
Аймаканова, Анастасия   +1 more
doaj   +1 more source

L’archive traduite : W. S. Merwin troubadour de Hawaii

open access: yesSillages Critiques, 2017
In The Folding Cliffs (1998), his epic poem about the resistance of the Hawaiian island Kaua’i to the deportation of lepers by the colonizers, Merwin translates and adapts into verse a missing or faulty archive, composing a long poem in which the English
Françoise Palleau-Papin
doaj   +1 more source

Une bibliothèque oubliée : le genre troubadour

open access: yesBabel: Littératures Plurielles, 2002
Quelle place doit-on accorder au genre troubadour considéré comme désuet ?Maints auteurs n’ont pas eu le succès qu’ils méritaient alors qu’ils ont été responsables de l'engouement pour le genre troubadour : ils ont été plongés dans un très modeste ...
Jocelyne Missud-Juramie
doaj   +1 more source

A Galician about the Valiant Conqueror of Valencia – Praise of James I the Conqueror in the Song of Pero da Ponte

open access: yesStudia Iberystyczne, 2023
In this paper we present an analysis of the song O que Valença conquereu by the Galician-Portuguese troubadour, Pero da Ponte, dedicated to King of Aragon, James I the Conqueror, composed on the occasion of his conquest of Valencia in 1238.
Jakub Merdała
doaj   +1 more source

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