The pursuit of clinical recognition: Aesthetics, care, and music therapy in North American hospitals
Medical Anthropology Quarterly, Volume 37, Issue 4, Page 396-410, December 2023., 2023 Abstract This article examines the making of clinical care by tracing how music therapists integrate their work within North American hospitals. Situated on the margins of the clinic, music therapists are in pursuit of clinical recognition—to be perceived and understood as valuable to biomedicine. The pursuit of clinical recognition illustrates how the
Meredith Evans
wiley +1 more source
An Interstitial History of Medieval Iberian Poetry [PDF]
, 2017 The complexity of Medieval Iberia’s linguistic, religious, and cultural diversity is a commonplace. Descriptions abound of the lands that are now modern Spain and Portugal as a “melting pot” or a “multicultural” space.
David Wacks
core +1 more source
Peirol, "Coras que·m fezes doler" (BdT 366.9) [PDF]
Lecturae Tropatorum, 2019 In the song Coras que·m fezes doler (BdT 366.9) Peirol informs us that he has abandoned the lady he courted for so long without any profit and turned to a new lover. This change plays an important part in Stanley C.
Stefano Milonia
doaj
Guillem Raimon ~ Ferrarino da Ferrara "Amics Ferrairi ~ Amics en Raimon" (BdT 229.1a = 150.1) [PDF]
Lecturae Tropatorum, 2019 This paper focuses on Amics Ferrairi ~ Amics en Raimon, an exchange of coblas between en Raimon Guillem and Ferrairi, according to the text of the single manuscript P.
Luca Gatti
doaj
The choreography of longing: songs, screens and space in Carlos Saura’s 'Fados' [PDF]
, 2014 Carlos Saura’s 2007 film Fados follows the director’s earlier works Flamenco (1995) and Tango (1998) by showing musicians performing a vernacular music genre while accompanied by dancers.
Elliott, Richard
core +4 more sources
Aimeric de Peguilhan, "Li fol e·ill put e·ill fillol" (BdT 10.32) [PDF]
Lecturae Tropatorum, 2019 This reading proposes a shift in perspective on the well-known sirventes of Aimeric de Peguilhan Li fol e·ill put e·ill fillol. Abandoning the idea that it was a spiteful invective due to personal reasons, as proposed so far, this satirical poem must be ...
Giorgio Barachini
doaj
Aimeric de Peguillan, "En aquelh temps que·l reys mori N’Anfos" (BdT 10.26) [PDF]
Lecturae Tropatorum, 2019 This article proposes a new reading of En aquel temps que·l reis mori n’Anfos and focuses on the author’s point of view, describing the possible circumstances in which the song was composed.
Francesco Saverio Annunziata
doaj
"Na Maria, pretz e fina valors": A New Argument for Female Authorship [PDF]
, 2012 The canso attributed to Bietris de Roman participates in conventions that readily accommodate the language of desire within the exchange of political and social fidelity, offering another means by which to reconcile female authorship with a female object
Alison Langdon
core +1 more source
Marcabru, "Ueimai dey esser alegrans" (BdT 293.34) [PDF]
Lecturae Tropatorum, 2019 To go by its manuscript tradition, vers n. 34 of Marcabru’s lyric corpus had limited success (only two songbooks: CR), but there have been many interventions aimed at shedding light on the identity of the Cabrieyra to whom the Gascon troubadour sent his ...
Samuele Maria Visalli
doaj
Temporal networks of 'Contrafacta' in the first three troubadour generations
Digital Scholarship in the Humanities, 2023 The scope of this research is that of revealing the interconnected nature of medieval Romance lyric by looking at musical imitations. In the Middle Ages, melodic imitation was an essential part of artistic creation as old melodies were constantly ...
Stefano Milonia, Matteo Mazzamurro
semanticscholar +1 more source