Results 21 to 30 of about 140 (120)
Troubadour Song as Performance: A Context for Guiraut Riquier’s “Pus sabers no’m val ni sens”
Current Musicology, 2012 The songs of the troubadours present the fundamental challenge of understanding poetry as music. Although the Old Occitan lyric corpus was a sung tradition from its origins in the twelfth century, we do not know exactly how it sounded; the poetry and ...
Susan Boynton
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The Literary Court: Reading Queen Charlotte
Journal for Eighteenth-Century Studies, Volume 48, Issue 4, Page 509-524, December 2025.Abstract This article investigates the literary culture revolving around Queen Charlotte (1744–1818) between 1761 and 1818. The Queen's library, sold after her death in 1818, contained more than 4500 volumes, and the sales catalogue (1819) offers a fascinating glimpse into her collecting habits and reading interests. This article uses the catalogue, as
Mascha Hansen
wiley +1 more source
Social Issues and Policy Review, Volume 19, Issue 1, December 2025.Abstract In this paper, I propose a multidimensional model of cultural appropriation, including psychological antecedents of appropriation, policy‐level moderators, and implications for racial oppression. In terms of antecedents, I discuss how colorblind racism, aversive racism, and system justification contribute to two dimensions of cultural ...
Ariel J. Mosley
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Arnaut Daniel, "Amors e iois e luecs e temps" (BdT 29.1) [PDF]
Lecturae Tropatorum, 2017 The basic intenet of this paper is that the song by Arnaut Daniel under discussion is an ironic and polemic, or perhaps a sarcastic and polemic hymn to the masochism of fin’amor of the hard and fast kind, the kind that involves impossible love leading to
Aniello Fratta
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Uses of Anger, Love, and Joy: Emotions in Black Resistance
Sociology Compass, Volume 19, Issue 12, December 2025.ABSTRACT Black people's expression of anger, love, and joy has long been caricatured, criticized, devalued, surveilled, and policed by dominant groups. Yet, Black people have found ways to emotionally process, respond to, and resist this harm and violence.
Chaniqua D. Simpson +2 more
wiley +1 more source
Bonifacio Calvo, "Er quan vei glassatz los rius" (BdT 101.3) [PDF]
Lecturae Tropatorum, 2016 This paper reviews the bibliography concerning Bonifacio Calvo and underlines the need for new research into his role within troubadour literature, focused mainly on his poems.
Alessandro Bampa
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Studies in Ethnicity and Nationalism, Volume 25, Issue 2, Page 180-199, September 2025.Abstract Since the 1990s, there has been a surge in ethnographic films by Han directors in China, highlighting the complex interplay of power dynamics between these filmmakers and the minority communities they portray. This study examines these dynamics through the lens of spirituality and cultural representation, focusing on the film “Ashiq: The Last ...
Ruohan Tang, Yi Zou
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Bartolomeo Zorzi, "Atressi cum lo camel" (BdT 74.2) [PDF]
Lecturae Tropatorum, 2016 Atressi cum lo camel is one of seven love songs by Bartolomeo Zorzi, a poet who composes in the tradition of trobar prim. Zorzi weaves into the sentimental theme, embellished by some original features and references to the classic Occitan auctores, a ...
Beatrice Solla
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Social and Personality Psychology Compass, Volume 19, Issue 9, September 2025.ABSTRACT This work proposes a model exploring how cultural appropriation increases group‐based stigma through racialized objectification, drawing on objectification theory and insights from intergroup relations. First, I discuss how cultural appropriation reduces minoritized individuals to external aesthetics and stereotypes, reinforcing white ...
Ariel J. Mosley
wiley +1 more source
Guillem Godi, "Si·l gen cors d’estieu es remas" (BdT 219.1) [PDF]
Lecturae Tropatorum, 2018 This article offers a new edition, based on Occitan Chansonnier R, of the canso-sirventes Si·l gen cors d’estieu es remas by the troubadour Guillem Godi.
Alessio Collura
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