Results 21 to 30 of about 3,049 (160)

Marcabru, "Dire vos vuoill ses doptanssa" (BdT 293.18) [PDF]

open access: yesLecturae Tropatorum, 2017
The aim of this article is to reflect on a ‘borderline’ textual typology, well represented by this vers by Marcabru, which is the ‘reworking’ or ‘rewriting’ of a text.
Simone Marcenaro
doaj  

‘Expression is power’: Gender, residual culture and political aspiration at the Cumnock School of Oratory, 1870–1900

open access: yesGender &History, Volume 38, Issue 1, Page 121-138, March 2026.
Abstract This article investigates the ways in which late‐nineteenth‐century students at Northwestern University's Cumnock School of Oratory mobilised elocution training and parlour performance to foster mixed‐gender public discourse. I use student publications to reconstruct parlour meetings in which women and men adapted traditions of conversational ...
Fiona Maxwell
wiley   +1 more source

Auditory Symptoms Among Musicians: A Systematic Review and Meta‐analysis

open access: yesOtolaryngology–Head and Neck Surgery, Volume 174, Issue 2, Page 305-316, February 2026.
Abstract Objective To assess the prevalence of auditory symptoms among recreational and professional musicians. Data Sources CINAHL, Cochrane Library, PubMed, and SCOPUS were searched for English‐language studies published from inception through November 19, 2024.
Lauren R. McCray   +5 more
wiley   +1 more source

Il 'plazer' nella poesia occitana e italiana [PDF]

open access: yesLecturae Tropatorum, 2018
Few studies have been devoted to the classification and analysis of the plazer in Provençal and Italian lyric poetry between the XII and XIV centuries.
Margherita Lecco
doaj  

Troubadour Song as Performance: A Context for Guiraut Riquier’s “Pus sabers no’m val ni sens”

open access: yesCurrent Musicology, 2012
The songs of the troubadours present the fundamental challenge of understanding poetry as music. Although the Old Occitan lyric corpus was a sung tradition from its origins in the twelfth century, we do not know exactly how it sounded; the poetry and ...
Susan Boynton
doaj   +1 more source

The Literary Court: Reading Queen Charlotte

open access: yesJournal for Eighteenth-Century Studies, Volume 48, Issue 4, Page 509-524, December 2025.
Abstract This article investigates the literary culture revolving around Queen Charlotte (1744–1818) between 1761 and 1818. The Queen's library, sold after her death in 1818, contained more than 4500 volumes, and the sales catalogue (1819) offers a fascinating glimpse into her collecting habits and reading interests. This article uses the catalogue, as
Mascha Hansen
wiley   +1 more source

L’alba di Giraut de Borneil in Italia [PDF]

open access: yesLecturae Tropatorum, 2016
The discovery of a Sicilian witness in the manuscript tradition of Reis glorios (Di Girolamo, 2010), as well as a translation of the song from north-west Italy (Bertoletti, 2014), show the question of the circulation of troubadour lyric in Italy in a ...
Costanzo Di Girolamo
doaj  

Investigating cultural appropriation: An introduction, policy implications, and legal recommendations

open access: yesSocial Issues and Policy Review, Volume 19, Issue 1, December 2025.
Abstract In this paper, I propose a multidimensional model of cultural appropriation, including psychological antecedents of appropriation, policy‐level moderators, and implications for racial oppression. In terms of antecedents, I discuss how colorblind racism, aversive racism, and system justification contribute to two dimensions of cultural ...
Ariel J. Mosley
wiley   +1 more source

Arnaut Daniel, "Amors e iois e luecs e temps" (BdT 29.1) [PDF]

open access: yesLecturae Tropatorum, 2017
The basic intenet of this paper is that the song by Arnaut Daniel under discussion is an ironic and polemic, or perhaps a sarcastic and polemic hymn to the masochism of fin’amor of the hard and fast kind, the kind that involves impossible love leading to
Aniello Fratta
doaj  

Uses of Anger, Love, and Joy: Emotions in Black Resistance

open access: yesSociology Compass, Volume 19, Issue 12, December 2025.
ABSTRACT Black people's expression of anger, love, and joy has long been caricatured, criticized, devalued, surveilled, and policed by dominant groups. Yet, Black people have found ways to emotionally process, respond to, and resist this harm and violence.
Chaniqua D. Simpson   +2 more
wiley   +1 more source

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